Digital Piracy Round 2 – Appropriate Damages

jolly rogerAn important trial regarding the illegal online distribution of music in the States has reached the next stage of the argument – there’s no longer much discussion about the fact that duplicating music over the net without rights holders permissions is illegal. Inevitable, perhaps, but certainly a clear violation of intellectual property law. What’s now being put into question is the appropriateness of the massive damages that are being sought by the record labels from individual file sharers.

In 2007, Jammie Thomas was sentenced to pay damages of $222,000 for 24 counts of infringement ($9,250 per infringement). Later, a retrial was granted, and in June 2009 a jury returned a similar decision, but with increased damages of $1.92 million ($80,000 per infringement). In July last year, Boston Student Joel Tenenbaum was also found to be willfully infringing, and a jury awarded damages of $675,000 ($22,500 per infringement). These vast sums were awarded by the American courts as ‘punitive’ damages – fines intended to deter others from repeating the criminal behaviour rather than as a straight like-for-like compensation for the actual, direct  cost of the criminal action.

The amount of lost revenue from a stolen CD is pretty easy to calculate; the shop you take it from loses out on the sticker price, but if that CD is then made available to share over the net, who is responsible for the thousands of copies that may arise on people’s computers? Each individual that makes a copy can (at a stretch) be said to have stolen a product of the same value as the CD, but is the uploader responsible for the actions of the other offenders? Granted, if no-one uploaded the music, you’d be forced to go and buy it if you wanted to listen (assuming it’s not on Spotify or Last.FM of course), but the uploader of a track doesn’t actually make those thousands of copies; they just make it possible for them to be made. A slim distinction perhaps, but an important one; it could be (and is being) argued that ISP’s and torrent tracking/sharing websites are equally complicit in these piratical crimes. If this is the case, is it right to bring down the hammer of justice so hard on the single individuals that are caught and prosecuted? A lottery of punishment that victimises the few for the crimes of the many doesn’t seem a just way of combatting piracy…

Part of the motion that Tenenbaum’s lawyer’s have filed with the District Court of Massachussets, quotes a precedent from the US Supreme Court; “few awards exceeding a single-digit ratio between punitive and compensatory damages, to a significant degree, will satisfy due process.” Compensatory damages being the direct making-up-for-loss costs, and punitive damages the deterrent. To fall in line with that Supreme Court ruling, the direct damage Tenenbaum caused would have to be the equivalent of stealing $75,000 worth of music (at a 9x multiplier), and Jammie Thomas would have had to have left the record shop with $213,000 worth of CD’s in his backpack! Whatever the result of the retrial request, it seems somewhat academic in the specific case, as I can’t imagine a student can lay his hands on $675,000 to pay the damages.

Im your friendly RouteBot. Im here to provide some needed information about the music industry and how it functions.

Apple Music follow Spotify’s lead in highlighing songwriters with ‘Behind the Songs’

‘Behind the Songs’ is the new hub, full of radio shows, playlists and video series, showcasing songwriters, producers and session musicians.

Watch CGI Post Malone Perform for Pokémon’s 25th Anniversary concert

Post Malone vibes with various Pokémon in his headline virtual show for Pokémon’s 25th Anniversary concert.

Leave a Reply

Your email address will not be published. Required fields are marked *