Here it is – every top song from the Billboard Hot 100 for every year since 1950. A few unexpected little gems in there, some stuff you won’t have heard before, some stuff you have, and some stuff you’ll cringe at. Like it or not it’s quite an interesting trip through evolution of pop. One of the amazing things that I discovered while researching this is that ‘Billie Jean’, ‘Sexual Healing’ and ‘Every Breath You Take’ were all released with a year of each other, and all of them frighteningly close to ‘Faith’ by George Michael. Surely something has gone wrong with the space/time continuum. Also, if you bought the Macarena, hang your head in shame.
It all started to go wrong for me about 1982, which is ironic, because that’s about the time I was learning to talk.
Rob Sherman is a very tall young man who owns a lot of musical instruments, including a ukulele, mandolin, thumb piano and full size glockenspiel. He uses them (along with his trusty Takamine acoustic guitar) to write beautiful, intriguing contemporary folk music, influenced by the likes of Mumford and Sons, Johnny Flynn, Laura Marling and Damien Rice. His music often tells stories, and paints vivid pictures of scenes and events from history and literature, made all the more pleasing by lyrics which could easily be read alone as poetry. Philosopher Blues, for example, is imaginative, thoughtful and reflective, while Oh Empire! is nostalgic and stirring. What sets Rob apart from the swathes of folkish singer-songwriter types is his conviction and passion, as well as his pleasant baritone. Joined on record by fellow folk heroes Hollie Rogers and Rowan Fisk, Rob is set to release his debut EP in the near future, and it promises to be one of the most exciting folk records of the year. He’s also written, produced and directed a play called “The God In The Well” that’s being staged in Exeter this weekend, if you happen to live in that neck of the woods.
New songs now online over at http://www.myspace.com/robshermanmusic
Another Friday, another playlist. A few of my favourite classical pieces to waft you through the last few working hours of the week – I’m sure that these are cringingly pop to anyone who knows anything about clasical music, but I think they’re amazing. The variation of the simple theme in the Moonlight sonata has got to be one of the best things ever to come out of a human brain.
I don’t know whether anyone else is enjoying these playlists, or how long we’ll carry them on, but here’s something to phase out your Friday in a painless, soulful way. It reflects my limited knowledge of modern soul, and the fact that I am a sucker for a bassline, Otis Redding’s voice, and ridiculously long mixes. Also probably that I listen to music on headphones rather than speakers at the office. If anyone fancies making a playlist for me then post something in the comments; if I like it, I’ll give it it’s own post