Compositions and sound recordings entering the public domain in 2025
A new batch of music has become available for adapting and playing around with. Check out what’s on offer here.
There’s a lot of excitement when a new year rolls around, for a number of reasons. One of those reasons, if you’re a creative type, is the host of artistic works that become available by entering the public domain. Take a look at which sound recordings and compositions are now available for re-interpretation and reworking into other creations in 2025.
Compositions
Here are some exciting compositions that have entered the public domain this year, meaning they’re available to be adapted and reworked into fresh musical creations.
Singin’ In The Rain (Lyrics: Arthur Freed/Music: Nacio Herb Brown)
One of the most iconic songs to enter the public domain in 2025 is “Singin’ in the Rain” This beloved composition was written by lyricist Arthur Freed and composer Nacio Herb Brown in 1929 for the MGM film The Hollywood Revue of 1929. The song gained widespread fame when it was featured in the 1952 musical film of the same name, performed by Gene Kelly in a now-iconic dance sequence.
Ain’t Misbehavin’ (Lyrics: Andy Paul Razaf/Music: Fats Waller and Henry Brooks)
The jazz standard “Ain’t Misbehavin'”, written in 1929 by Andy Razaf, Fats Waller, and Harry Brooks, was first introduced in the Broadway musical Connie’s Hot Chocolates. Celebrated for its playful lyrics and swing, it became a hit performed by legends like Louis Armstrong and Ella Fitzgerald. As it enters the public domain, this Harlem Renaissance classic is ready for new interpretations.
Boléro (Lawrence Ravel)
“Boléro”, composed by Maurice Ravel in 1928, is one of the most recognisable orchestral works of the 20th century. Originally commissioned as a ballet, its hypnotic rhythm and gradually building melody have captivated audiences worldwide. Premiered in Paris, it remains a favourite in both concert halls and popular culture.
You Were Meant For Me (Lyrics: Arthur Freed/Music: Nacio Herb Brown)
“You Were Meant for Me”, written in 1929 by lyricist Arthur Freed and composer Nacio Herb Brown, is a classic romantic ballad. First featured in the film The Broadway Melody and later performed in the iconic musical Singin’ in the Rain, it became a symbol of golden-era Hollywood romance. Now in the public domain, this timeless love song is available for fresh interpretations and creative adaptations.
Tiptoe Through The Tulips (Lyrics: Alfred Dublin/Music: Joseph Burke)
“Tiptoe Through the Tulips”, written in 1929 by lyricist Alfred Dublin and composer Joseph Burke, is a whimsical tune first performed by Nick Lucas. It became a hit in the late 1920s and later saw a resurgence with Tiny Tim’s iconic 1968 cover. In recent years, the song has experienced a revival on TikTok, where its quirky charm has made it a popular choice for playful and nostalgic videos. Now entering the public domain, it offers endless creative potential for new interpretations and trends.
Sound recordings in the public domain
Those of you who enjoy getting your hands on new samples to incorporate into your music, these are the sound recordings that are newly in the public domain in 2025.
Rhapsody in Blue (George Gershwin)
“Rhapsody in Blue”, composed by George Gershwin in 1924, is a landmark piece blending classical and jazz influences. Premiering in New York with Gershwin at the piano, its iconic opening clarinet solo and bold melodies quickly made it a cultural touchstone. While the composition entered the public domain in 2020, the original 1924 sound recording of the work has now followed suit in 2025, expanding opportunities for its use in new creative projects, from film to digital media.
It Had To Be You (Isham Jones Orchestra & Marion Harris)
“It Had to Be You”, written in 1924 by Isham Jones (music) and Gus Kahn (lyrics), became an instant hit when performed by the Isham Jones Orchestra and Marion Harris. Known for its romantic lyrics and catchy melody, the song has remained a popular standard, covered by countless artists over the years, including Frank Sinatra and Ray Charles.
California Here I Come (Al Jolson)
“California, Here I Come”, written in 1921 by Joseph Meyer (music) and Al Dubin (lyrics), became an anthem of the West Coast thanks to its vibrant melody and catchy lyrics. Originally popularised by Al Jolson in his Broadway show Bombo, the song quickly became associated with the excitement of California’s allure.
Lazy (The Georgians)
“Lazy”, written in 1924 by Ray Henderson (music) and Buddy G. DeSylva (lyrics), was performed by The Georgians. The song’s playful and laid-back melody, combined with its catchy lyrics, made it a popular tune during the Roaring Twenties. Known for its carefree vibe, “Lazy” captures the spirit of the era’s jazz and swing culture.
Shreveport Stomp (Jelly Roll Morton)
“Shreveport Stomp”, composed by Jelly Roll Morton in 1924, is a lively jazz composition that showcases Morton’s innovative style. Known for his contribution to the development of early jazz, Morton infused the piece with his signature syncopated rhythms and dynamic piano playing. Originally recorded by Morton’s Red Hot Peppers, the song became a jazz standard, celebrating the sounds of New Orleans and the South.
Wrapping up
As we look ahead to 2025, a host of iconic compositions and sound recordings have entered the public domain, offering musicians, producers, and creators exciting new opportunities. From jazz standards to orchestral masterpieces, these works now provide a rich foundation for fresh interpretations, remixes, and creative adaptations.
For independent artists and producers, the public domain is a treasure trove of material to build upon without the constraints of copyright, allowing for more freedom in sampling, remixing, and reimagining timeless classics. As these pieces become more accessible, they pave the way for new artistic expression, and serve as a reminder of the lasting impact of these compositions on modern music and culture.