Take the bass out of a jazz session and everything else has to hold the floor. That is the working premise of ‘Fun with Suwon and Friends Vol.2,’ the second jam session EP from pianist…
Cancelling a music-distribution subscription does not produce the same outcome with every company. Your catalogue might remain live, be scheduled for removal or continue earning under a different commission structure. The answer depends on the…
A recording can generate more than streaming and download income. Neighbouring-rights royalties may be earned when recorded music is broadcast or played publicly. They relate primarily to the sound recording and the performances captured within…
Success stories usually skip the invoice. ‘Golden Scars’ does not. The new single from Peruvian singer-songwriter Santiago Cisneros sets a confession about what winning actually costs on top of a 108 BPM pop production bright…
Music grants can help independent artists pay for recording, touring, promotion, professional development and other creative projects. Unlike an advance or loan, grant funding may not need to be repaid. It does, however, normally come…
‘Take a look around’ opens like a window at daybreak. The new single from Korean five-piece Another Season sets classic pop chord movement against a samba rhythm that refuses to sit still, and vocalist Hyo…
A music publicist helps artists earn media coverage around releases, tours and important career moments. They may pitch your music to blogs, magazines, radio programmes, podcasts and other media. They can also help shape your…
Alexii’s “On The Borderline” is a compact, high-energy track built for immediate impact. Running for just under three minutes and moving at approximately 158 BPM, the song carries a brisk momentum that suits contemporary electronic…
Some songs circle their subject. ‘Yes, I Like’ walks straight up to it. The new single from Seoul R&B artist SUL takes the plain affirmation of its title at face value, then builds a slow-tempo…
Using AI during production does not automatically prevent music from being released. The important questions are whether you control the inputs, have commercial rights to the outputs and can demonstrate your contribution to the finished…
