If you love Gracie Abrams’ “Here You Come, There You Go”, start with Olivia Rodrigo, Holly Humberstone, The Japanese House, Clairo and Lizzy McAlpine.

These artists combine emotionally detailed songwriting with indie-pop and alternative-rock arrangements.

Some specialise in quiet vulnerability. Others use distorted guitars and powerful choruses to communicate romantic frustration.

“Here You Come, There You Go” is particularly interesting because it introduces a more guitar-driven side of Abrams.

Released on 29 October 2026, the single explores the frustration of somebody returning just when you’ve finally started recovering from a difficult relationship.

It also previews the deluxe edition of her album Daughter From Hell, arriving on 20 November.

Here are fifteen recordings worth discovering next.

What makes “Here You Come, There You Go” distinctive?

The recording combines two musical personalities.

The songwriting is recognisably Gracie Abrams.

It’s emotionally direct, conversational and interested in the details of complicated relationships.

But the production is more aggressive than some of her earlier work.

Distorted guitar and synthesizer textures create a much larger sound.

The chorus communicates frustration rather than simply sadness.

That gives the recording connections with indie rock, alternative pop and contemporary singer-songwriter music.

1. Olivia Rodrigo – get him back!

One of the strongest recommendations.

“get him back!” explores the contradiction of wanting somebody while also feeling angry about the way they treated you.

Rodrigo combines playful lyrics with an energetic guitar-driven arrangement.

The production is louder and more direct than much of Abrams’ earlier catalogue.

But the emotional tension is closely related.

Both songs describe romantic attachment as something that doesn’t automatically disappear when a relationship becomes unhealthy.

2. Holly Humberstone – Into Your Room

An excellent recommendation for atmosphere.

Humberstone combines emotionally detailed songwriting with guitar and electronic production.

“Into Your Room” has a powerful rhythmic foundation and a memorable melody.

Its lyrics explore regret and the desire to reconnect.

That’s particularly relevant to Abrams’ recurring themes.

Both singers are interested in the emotional complications surrounding relationships that don’t end neatly.

3. The Japanese House – Touching Yourself

A more electronic and atmospheric recommendation.

The Japanese House is the project of English musician Amber Bain.

Her recordings frequently combine layered vocals, guitars and sophisticated electronic textures.

“Touching Yourself” has a warm melodic character.

But its emotional perspective is complicated.

It’s particularly suitable for listeners attracted to the combination of intimate vocals and expansive production in Abrams’ new single.

4. Clairo – Bags

One of contemporary indie-pop’s best songs about romantic uncertainty.

“Bags” captures the difficulty of expressing feelings when the outcome isn’t clear.

The vocal is restrained.

The guitar arrangement is gentle and atmospheric.

It’s less confrontational than “Here You Come, There You Go”.

But both recordings recognise that romantic situations can become complicated long before anybody makes a dramatic declaration.

5. Lizzy McAlpine – erase me

Featuring Jacob Collier, “erase me” combines emotional songwriting with an increasingly expansive arrangement.

The recording explores the desire to escape memories of a difficult relationship.

McAlpine’s vocal creates intimacy, while the production gradually becomes more dramatic.

It’s a particularly strong recommendation if you enjoy the emotional build in Abrams’ music.

6. Phoebe Bridgers – Motion Sickness

A more bitter and confrontational breakup song.

“Motion Sickness” uses relatively accessible indie-rock production to explore complicated feelings about a former partner.

The lyrics combine anger, regret and vulnerability.

That creates a direct connection with Abrams’ new recording.

Both singers understand that recovering from somebody doesn’t necessarily mean losing every emotional attachment to them.

7. The 1975 – About You

For a more cinematic atmosphere.

“About You” combines enormous guitar textures with romantic nostalgia.

The arrangement develops gradually.

The vocals create a sense of emotional distance.

It’s particularly suitable for listeners who enjoy songs that feel much larger than their relatively intimate lyrical subjects.

8. Maisie Peters – Lost the Breakup

An energetic pop-rock recommendation.

Peters transforms romantic disappointment into a song about recovering confidence.

Rather than presenting the narrator as permanently devastated, she imagines a future in which she’s happier without the relationship.

That provides an interesting emotional counterpoint to Abrams.

One singer is frustrated by somebody returning.

The other celebrates moving on.

9. Gracie Abrams – I Love You, I’m Sorry

An essential choice from her own catalogue.

The recording explores regret, attachment and the difficulty of completely letting go.

Its production is softer than “Here You Come, There You Go”.

But the emotional perspective is closely related.

Hearing both songs consecutively demonstrates how Abrams can approach similar feelings through different musical arrangements.

10. beabadoobee – Talk

A brighter and more energetic indie-rock recording.

“Talk” combines distorted guitars with playful melodic songwriting.

It demonstrates how alternative-rock influences can work inside accessible contemporary pop.

The subject is different from Abrams’ new single.

But listeners who enjoy the heavier guitar production may find this an excellent next discovery.

11. Wolf Alice – Don’t Delete the Kisses

A dreamy alternative-rock recommendation.

Wolf Alice combine atmospheric production with emotionally detailed songwriting.

The recording explores romantic uncertainty and the fear of expressing feelings too openly.

It’s an excellent example of alternative music communicating vulnerability without relying on conventional acoustic-ballad arrangements.

12. Taylor Swift – The Story of Us

For the more dramatic pop-rock side.

“The Story of Us” explores the awkwardness and frustration following a relationship breakdown.

The guitars are energetic.

The chorus is direct.

And the emotional narrative is immediately recognisable.

It belongs to an earlier generation of pop-rock, but the musical and lyrical connection with Abrams is strong.

13. MUNA – Anything But Me

A confident alternative-pop recommendation.

MUNA combine electronic production with emotionally intelligent songwriting.

“Anything But Me” explores the decision to leave a relationship that no longer feels right.

The narrator communicates independence without pretending the emotional situation is simple.

That makes it particularly relevant to Abrams’ new song.

14. The Aces – Daydream

A polished indie-pop recording.

The Aces combine guitar-driven songwriting with bright electronic production.

“Daydream” has a more optimistic atmosphere than Abrams’ single.

But the rhythmic arrangement and melodic accessibility make it a useful recommendation for listeners interested in modern alternative pop.

15. Gracie Abrams – That’s So True

Finish with another of her most recognisable recordings.

“That’s So True” combines intimate songwriting with a strong pop structure.

Its emotional character is playful and frustrated.

Comparing it with “Here You Come, There You Go” demonstrates Abrams’ movement towards increasingly confident and varied production.

What genre is “Here You Come, There You Go”?

Alternative pop and indie rock are useful starting points.

The recording also contains electronic textures and folk-pop songwriting influences.

Its guitar-driven arrangement is particularly noticeable compared with some of Abrams’ quieter material.

For listeners who enjoy emotionally direct alternative pop, Radar’s songs like sombr’s “Back to Friends” explores another part of the same musical world.

Why is the song getting attention?

It arrived just before the announcement of a deluxe album and a major television performance.

Abrams performed the recording on Saturday Night Live on 31 October 2026.

Its appearance at No. 2 on the UK Official Trending Chart dated 3 November suggests substantial recent listener interest.

The new production style also creates a distinct reason for fans to explore the recording.

Which three songs should you hear first?

Start with Olivia Rodrigo’s “get him back!” for emotional frustration and guitar energy.

Then Holly Humberstone’s “Into Your Room” for atmospheric indie pop.

Finally, Phoebe Bridgers’ “Motion Sickness” for sharper breakup songwriting.

Those three capture different sides of Abrams’ new single.

“Here You Come, There You Go” is an excellent starting point for discovering emotionally expressive alternative pop because it combines vulnerability with an arrangement that feels increasingly confident.