If you love Gracie Abrams’ \u201cHere You Come, There You Go\u201d, start with Olivia Rodrigo, Holly Humberstone, The Japanese House, Clairo and Lizzy McAlpine.<\/p>\n\n\n\n
These artists combine emotionally detailed songwriting with indie-pop and alternative-rock arrangements.<\/p>\n\n\n\n
Some specialise in quiet vulnerability. Others use distorted guitars and powerful choruses to communicate romantic frustration.<\/p>\n\n\n\n
\u201cHere You Come, There You Go\u201d is particularly interesting because it introduces a more guitar-driven side of Abrams.<\/p>\n\n\n\n
Released on 29 October 2026, the single explores the frustration of somebody returning just when you’ve finally started recovering from a difficult relationship.<\/p>\n\n\n\n
It also previews the deluxe edition of her album Daughter From Hell, arriving on 20 November.<\/p>\n\n\n\n
Here are fifteen recordings worth discovering next.<\/p>\n\n\n\n
The recording combines two musical personalities.<\/p>\n\n\n\n
The songwriting is recognisably Gracie Abrams.<\/p>\n\n\n\n
It’s emotionally direct, conversational and interested in the details of complicated relationships.<\/p>\n\n\n\n
But the production is more aggressive than some of her earlier work.<\/p>\n\n\n\n
Distorted guitar and synthesizer textures create a much larger sound.<\/p>\n\n\n\n
The chorus communicates frustration rather than simply sadness.<\/p>\n\n\n\n
That gives the recording connections with indie rock, alternative pop and contemporary singer-songwriter music.<\/p>\n\n\n\n
One of the strongest recommendations.<\/p>\n\n\n\n
\u201cget him back!\u201d explores the contradiction of wanting somebody while also feeling angry about the way they treated you.<\/p>\n\n\n\n
Rodrigo combines playful lyrics with an energetic guitar-driven arrangement.<\/p>\n\n\n\n
The production is louder and more direct than much of Abrams’ earlier catalogue.<\/p>\n\n\n\n
But the emotional tension is closely related.<\/p>\n\n\n\n
Both songs describe romantic attachment as something that doesn’t automatically disappear when a relationship becomes unhealthy.<\/p>\n\n\n\n
An excellent recommendation for atmosphere.<\/p>\n\n\n\n
Humberstone combines emotionally detailed songwriting with guitar and electronic production.<\/p>\n\n\n\n
\u201cInto Your Room\u201d has a powerful rhythmic foundation and a memorable melody.<\/p>\n\n\n\n
Its lyrics explore regret and the desire to reconnect.<\/p>\n\n\n\n
That’s particularly relevant to Abrams’ recurring themes.<\/p>\n\n\n\n
Both singers are interested in the emotional complications surrounding relationships that don’t end neatly.<\/p>\n\n\n\n
A more electronic and atmospheric recommendation.<\/p>\n\n\n\n
The Japanese House is the project of English musician Amber Bain.<\/p>\n\n\n\n
Her recordings frequently combine layered vocals, guitars and sophisticated electronic textures.<\/p>\n\n\n\n
\u201cTouching Yourself\u201d has a warm melodic character.<\/p>\n\n\n\n
But its emotional perspective is complicated.<\/p>\n\n\n\n
It’s particularly suitable for listeners attracted to the combination of intimate vocals and expansive production in Abrams’ new single.<\/p>\n\n\n\n
One of contemporary indie-pop’s best songs about romantic uncertainty.<\/p>\n\n\n\n
\u201cBags\u201d captures the difficulty of expressing feelings when the outcome isn’t clear.<\/p>\n\n\n\n
The vocal is restrained.<\/p>\n\n\n\n
The guitar arrangement is gentle and atmospheric.<\/p>\n\n\n\n
It’s less confrontational than \u201cHere You Come, There You Go\u201d.<\/p>\n\n\n\n
But both recordings recognise that romantic situations can become complicated long before anybody makes a dramatic declaration.<\/p>\n\n\n\n
Featuring Jacob Collier, \u201cerase me\u201d combines emotional songwriting with an increasingly expansive arrangement.<\/p>\n\n\n\n
The recording explores the desire to escape memories of a difficult relationship.<\/p>\n\n\n\n
McAlpine’s vocal creates intimacy, while the production gradually becomes more dramatic.<\/p>\n\n\n\n
It’s a particularly strong recommendation if you enjoy the emotional build in Abrams’ music.<\/p>\n\n\n\n
A more bitter and confrontational breakup song.<\/p>\n\n\n\n
\u201cMotion Sickness\u201d uses relatively accessible indie-rock production to explore complicated feelings about a former partner.<\/p>\n\n\n\n
The lyrics combine anger, regret and vulnerability.<\/p>\n\n\n\n
That creates a direct connection with Abrams’ new recording.<\/p>\n\n\n\n
Both singers understand that recovering from somebody doesn’t necessarily mean losing every emotional attachment to them.<\/p>\n\n\n\n
For a more cinematic atmosphere.<\/p>\n\n\n\n
\u201cAbout You\u201d combines enormous guitar textures with romantic nostalgia.<\/p>\n\n\n\n
The arrangement develops gradually.<\/p>\n\n\n\n
The vocals create a sense of emotional distance.<\/p>\n\n\n\n
It’s particularly suitable for listeners who enjoy songs that feel much larger than their relatively intimate lyrical subjects.<\/p>\n\n\n\n
An energetic pop-rock recommendation.<\/p>\n\n\n\n
Peters transforms romantic disappointment into a song about recovering confidence.<\/p>\n\n\n\n
Rather than presenting the narrator as permanently devastated, she imagines a future in which she’s happier without the relationship.<\/p>\n\n\n\n
That provides an interesting emotional counterpoint to Abrams.<\/p>\n\n\n\n
One singer is frustrated by somebody returning.<\/p>\n\n\n\n
The other celebrates moving on.<\/p>\n\n\n\n
An essential choice from her own catalogue.<\/p>\n\n\n\n
The recording explores regret, attachment and the difficulty of completely letting go.<\/p>\n\n\n\n
Its production is softer than \u201cHere You Come, There You Go\u201d.<\/p>\n\n\n\n
But the emotional perspective is closely related.<\/p>\n\n\n\n
Hearing both songs consecutively demonstrates how Abrams can approach similar feelings through different musical arrangements.<\/p>\n\n\n\n
A brighter and more energetic indie-rock recording.<\/p>\n\n\n\n
\u201cTalk\u201d combines distorted guitars with playful melodic songwriting.<\/p>\n\n\n\n
It demonstrates how alternative-rock influences can work inside accessible contemporary pop.<\/p>\n\n\n\n
The subject is different from Abrams’ new single.<\/p>\n\n\n\n
But listeners who enjoy the heavier guitar production may find this an excellent next discovery.<\/p>\n\n\n\n
A dreamy alternative-rock recommendation.<\/p>\n\n\n\n
Wolf Alice combine atmospheric production with emotionally detailed songwriting.<\/p>\n\n\n\n
The recording explores romantic uncertainty and the fear of expressing feelings too openly.<\/p>\n\n\n\n
It’s an excellent example of alternative music communicating vulnerability without relying on conventional acoustic-ballad arrangements.<\/p>\n\n\n\n
For the more dramatic pop-rock side.<\/p>\n\n\n\n
\u201cThe Story of Us\u201d explores the awkwardness and frustration following a relationship breakdown.<\/p>\n\n\n\n
The guitars are energetic.<\/p>\n\n\n\n
The chorus is direct.<\/p>\n\n\n\n
And the emotional narrative is immediately recognisable.<\/p>\n\n\n\n
It belongs to an earlier generation of pop-rock, but the musical and lyrical connection with Abrams is strong.<\/p>\n\n\n\n
A confident alternative-pop recommendation.<\/p>\n\n\n\n
MUNA combine electronic production with emotionally intelligent songwriting.<\/p>\n\n\n\n
\u201cAnything But Me\u201d explores the decision to leave a relationship that no longer feels right.<\/p>\n\n\n\n
The narrator communicates independence without pretending the emotional situation is simple.<\/p>\n\n\n\n
That makes it particularly relevant to Abrams’ new song.<\/p>\n\n\n\n
A polished indie-pop recording.<\/p>\n\n\n\n
The Aces combine guitar-driven songwriting with bright electronic production.<\/p>\n\n\n\n
\u201cDaydream\u201d has a more optimistic atmosphere than Abrams’ single.<\/p>\n\n\n\n
But the rhythmic arrangement and melodic accessibility make it a useful recommendation for listeners interested in modern alternative pop.<\/p>\n\n\n\n
Finish with another of her most recognisable recordings.<\/p>\n\n\n\n
\u201cThat’s So True\u201d combines intimate songwriting with a strong pop structure.<\/p>\n\n\n\n
Its emotional character is playful and frustrated.<\/p>\n\n\n\n
Comparing it with \u201cHere You Come, There You Go\u201d demonstrates Abrams’ movement towards increasingly confident and varied production.<\/p>\n\n\n\n
Alternative pop and indie rock are useful starting points.<\/p>\n\n\n\n
The recording also contains electronic textures and folk-pop songwriting influences.<\/p>\n\n\n\n
Its guitar-driven arrangement is particularly noticeable compared with some of Abrams’ quieter material.<\/p>\n\n\n\n