Big Mama Thornton.<\/p>\n\n\n\n
Not Elvis Presley.<\/p>\n\n\n\n
Thornton recorded the original \u201cHound Dog\u201d in August 1952.<\/p>\n\n\n\n
The song became a major R&B hit in 1953.<\/p>\n\n\n\n
Elvis Presley recorded his famous version in 1956.<\/p>\n\n\n\n
But there’s another important detail.<\/p>\n\n\n\n
Elvis didn’t simply reproduce Thornton’s recording.<\/p>\n\n\n\n
He based much of his interpretation on a later version performed by Freddie Bell and the Bellboys.<\/p>\n\n\n\n
That means one of rock and roll’s most famous songs travelled through several performers before reaching the version most listeners recognise today.<\/p>\n\n\n\n
Willie Mae Thornton was an American blues singer born in Alabama.<\/p>\n\n\n\n
She became known for her extraordinary vocal power and commanding stage presence.<\/p>\n\n\n\n
Her musical background was rooted in blues, gospel and rhythm and blues.<\/p>\n\n\n\n
She developed a professional career during the 1940s and became associated with the Johnny Otis musical revue.<\/p>\n\n\n\n
Thornton’s performances were powerful and direct.<\/p>\n\n\n\n
She didn’t sing like the polished pop performers who dominated much mainstream radio.<\/p>\n\n\n\n
Her voice sounded raw.<\/p>\n\n\n\n
Physical.<\/p>\n\n\n\n
Uncompromising.<\/p>\n\n\n\n
That made her an ideal performer for \u201cHound Dog\u201d.<\/p>\n\n\n\n
Jerry Leiber and Mike Stoller.<\/p>\n\n\n\n
The pair were young songwriters working in Los Angeles.<\/p>\n\n\n\n
They were asked to create material suitable for Thornton.<\/p>\n\n\n\n
The result was a blues song about a woman rejecting a man who had treated her badly.<\/p>\n\n\n\n
That original meaning is important.<\/p>\n\n\n\n
\u201cHound Dog\u201d wasn’t initially a novelty song about an actual dog.<\/p>\n\n\n\n
It was a relationship song.<\/p>\n\n\n\n
A particularly dismissive one.<\/p>\n\n\n\n
August 13, 1952.<\/p>\n\n\n\n
The recording was released commercially in 1953.<\/p>\n\n\n\n
It became an enormous success on the American R&B chart.<\/p>\n\n\n\n
Thornton’s version spent seven weeks at No. 1.<\/p>\n\n\n\n
That was a major achievement.<\/p>\n\n\n\n
The song had already become famous within rhythm and blues years before Elvis recorded his interpretation.<\/p>\n\n\n\n
The narrator is dismissing an unreliable romantic partner.<\/p>\n\n\n\n
The man has behaved badly.<\/p>\n\n\n\n
The woman has had enough.<\/p>\n\n\n\n
The title uses an animal comparison to insult somebody she no longer respects.<\/p>\n\n\n\n
Thornton’s performance makes the emotional message unmistakable.<\/p>\n\n\n\n
This is not a vulnerable person asking somebody to return.<\/p>\n\n\n\n
It’s a confident singer telling somebody they are no longer welcome.<\/p>\n\n\n\n
That gives the original recording a very different personality from Elvis’s version.<\/p>\n\n\n\n
Through Freddie Bell and the Bellboys.<\/p>\n\n\n\n
Bell’s group performed a rewritten version of \u201cHound Dog\u201d during the 1950s.<\/p>\n\n\n\n
The arrangement was more closely connected with the emerging rock-and-roll style.<\/p>\n\n\n\n
The lyrics also changed.<\/p>\n\n\n\n
Elvis heard the group perform during a Las Vegas engagement.<\/p>\n\n\n\n
He liked their interpretation.<\/p>\n\n\n\n
Then added the song to his own performances.<\/p>\n\n\n\n
That became the foundation of his recording.<\/p>\n\n\n\n
That’s too simplistic.<\/p>\n\n\n\n
\u201cHound Dog\u201d was an existing copyrighted composition written by Leiber and Stoller.<\/p>\n\n\n\n
Elvis recorded a cover.<\/p>\n\n\n\n
He didn’t claim to have written it.<\/p>\n\n\n\n
And his arrangement drew significantly from Freddie Bell’s intermediate version.<\/p>\n\n\n\n
But the wider history does raise important questions about recognition.<\/p>\n\n\n\n
Thornton’s original success is often overlooked.<\/p>\n\n\n\n
Elvis’s recording became vastly more commercially successful.<\/p>\n\n\n\n
That imbalance reflects the racial divisions affecting American music during the 1950s.<\/p>\n\n\n\n
Because the composition had already been altered by other performers.<\/p>\n\n\n\n
Freddie Bell’s version made the song more comedic.<\/p>\n\n\n\n
The familiar imagery involving a dog and a rabbit belongs to that later lyrical tradition.<\/p>\n\n\n\n
Thornton’s original recording was much more direct about the narrator’s relationship with an unreliable man.<\/p>\n\n\n\n
The change affects the song’s meaning.<\/p>\n\n\n\n
The original is an angry blues performance.<\/p>\n\n\n\n
Elvis’s version becomes a high-energy rock-and-roll record.<\/p>\n\n\n\n
Timing.<\/p>\n\n\n\n
Performance.<\/p>\n\n\n\n
Television.<\/p>\n\n\n\n
Elvis was becoming one of the most important entertainers in America.<\/p>\n\n\n\n
His physical stage presence attracted enormous attention.<\/p>\n\n\n\n
The recording had a relentless rhythm and memorable vocal delivery.<\/p>\n\n\n\n
It also worked perfectly within the developing rock-and-roll market.<\/p>\n\n\n\n
The song became one of Presley’s defining hits.<\/p>\n\n\n\n
But the original musical idea had already existed for years.<\/p>\n\n\n\n
Thornton has spoken about receiving very little financial benefit from the enormous popularity of her recording.<\/p>\n\n\n\n
The wider history of her career reflects the difficult conditions faced by many Black musicians during the period.<\/p>\n\n\n\n
Recording contracts were frequently disadvantageous.<\/p>\n\n\n\n
Artists didn’t always control their work.<\/p>\n\n\n\n
And later performers could achieve much larger commercial success through reinterpretations.<\/p>\n\n\n\n
Thornton’s contribution to early rock and roll deserves recognition independent of the financial outcome.<\/p>\n\n\n\n
Yes.<\/p>\n\n\n\n
Janis Joplin is one of the clearest examples.<\/p>\n\n\n\n
Joplin famously recorded Thornton’s \u201cBall and Chain\u201d.<\/p>\n\n\n\n
She admired Thornton’s vocal power and emotional directness.<\/p>\n\n\n\n
That creates another musical connection.<\/p>\n\n\n\n
Thornton helped influence the vocal style associated with later blues-rock singers.<\/p>\n\n\n\n
Her importance extends far beyond \u201cHound Dog\u201d.<\/p>\n\n\n\n
Rhythm and blues.<\/p>\n\n\n\n
Electric blues.<\/p>\n\n\n\n
Early rock-and-roll influence.<\/p>\n\n\n\n
Thornton’s version belongs to the musical environment from which rock and roll developed.<\/p>\n\n\n\n
Elvis’s recording is much more clearly associated with mainstream rock and roll.<\/p>\n\n\n\n
Listening to both reveals how closely the genres were connected.<\/p>\n\n\n\n
Big Mama Thornton \u2013 Hound Dog<\/p>\n\n\n\n
Big Mama Thornton \u2013 Ball and Chain<\/p>\n\n\n\n
Elvis Presley \u2013 Hound Dog<\/p>\n\n\n\n
Big Joe Turner \u2013 Shake, Rattle and Roll<\/p>\n\n\n\n
Ruth Brown \u2013 Mama, He Treats Your Daughter Mean<\/p>\n\n\n\n
Wynonie Harris \u2013 Good Rockin’ Tonight<\/p>\n\n\n\n
Little Richard \u2013 Tutti Frutti<\/p>\n\n\n\n
Chuck Berry \u2013 Maybellene<\/p>\n\n\n\n
These recordings provide a useful introduction to the musical world surrounding early rock and roll.<\/p>\n\n\n\n
Because it changes the story.<\/p>\n\n\n\n
If you only know Elvis, \u201cHound Dog\u201d sounds like a classic rock-and-roll performance.<\/p>\n\n\n\n
Hear Thornton and the composition becomes something else.<\/p>\n\n\n\n
A blues singer confronting an unreliable man.<\/p>\n\n\n\n
A powerful rhythm-and-blues arrangement.<\/p>\n\n\n\n
A very different vocal personality.<\/p>\n\n\n\n
The later versions make more sense once you understand the original.<\/p>\n\n\n\n
Big Mama Thornton.<\/p>\n\n\n\n
She recorded it in 1952.<\/p>\n\n\n\n
It became a major R&B hit in 1953.<\/p>\n\n\n\n
Freddie Bell and the Bellboys later reworked the song.<\/p>\n\n\n\n
Elvis Presley made another enormously successful version in 1956.<\/p>\n\n\n\n
That history is worth remembering.<\/p>\n\n\n\n
Rock and roll didn’t appear from nowhere when Elvis entered a recording studio.<\/p>\n\n\n\n
It developed from musical traditions and performers who had already laid much of the foundation.<\/p>\n\n\n\n
Big Mama Thornton was one of them.<\/p>\n","protected":false},"excerpt":{"rendered":"
Big Mama Thornton. Not Elvis Presley. Thornton recorded the original \u201cHound Dog\u201d in August 1952. The song became a major R&B hit in 1953. Elvis Presley recorded his famous version in 1956. But there’s another important detail. Elvis didn’t simply reproduce Thornton’s recording. He based much of his interpretation on a later version performed by Freddie Bell and the Bellboys. That means one of rock and roll’s most famous songs travelled through several performers before reaching the version most listeners recognise today. Who was Big Mama Thornton? Willie Mae Thornton was an American blues singer born in Alabama. She became…<\/p>\n","protected":false},"author":1,"featured_media":5158,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[3174,3173,539,3175],"coauthors":[2],"class_list":["post-5157","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-big-mama-thornton","tag-elvis","tag-original","tag-sampled"],"acf":[],"yoast_head":"\n