If you love Tame Impala and JENNIE’s “Dracula”, start with Justice, Daft Punk, Jungle, Parcels and Roosevelt.

Those artists capture different parts of the recording’s appeal.

Some combine psychedelic textures with electronic dance production. Others have infectious basslines, polished vocals and an unmistakable late-night atmosphere.

“Dracula” has become an enormous crossover hit.

Tame Impala originally released the song in September 2025, before JENNIE joined a remix released on 6 February 2026.

The collaboration helped introduce Kevin Parker’s music to an even larger international pop audience.

If you already understand the song’s story from Radar’s “Dracula” meaning explainer, here’s what to listen to next.

What makes “Dracula” distinctive?

The recording blends different musical traditions.

Tame Impala began with a sound strongly associated with psychedelic rock.

Over time, Kevin Parker moved towards synthesizers, disco rhythms and electronic production.

“Dracula” belongs firmly to that later musical direction.

It has the hypnotic character associated with his earlier work, but the rhythmic foundation is much more closely connected with dance-pop.

JENNIE’s contribution adds a different vocal personality.

The result sounds darker and more atmospheric than conventional mainstream pop without becoming difficult to enjoy.

1. Justice featuring Tame Impala – Neverender

An obvious starting point.

“Neverender” combines Justice’s powerful electronic production with Parker’s distinctive voice.

The recording appeared on Justice’s 2024 album Hyperdrama.

Its strong rhythm and melodic atmosphere make it a particularly close companion to “Dracula”.

If the combination of electronic music and psychedelic-pop vocals is your favourite element, this is probably the first track to try.

2. Daft Punk – Instant Crush

Featuring Julian Casablancas, “Instant Crush” combines synthesizers with an emotionally restrained vocal performance.

The production has a nostalgic atmosphere.

But the rhythm remains connected with electronic dance music.

The song is particularly suitable for listeners who enjoy the darker, more reflective side of “Dracula”.

Its musical personality feels both intimate and futuristic.

3. Jungle – Candle Flame

A more rhythmically energetic recommendation.

Jungle combine disco, funk and contemporary soul influences.

“Candle Flame” has an infectious bassline and a warm, danceable arrangement.

It’s less overtly psychedelic than Tame Impala.

But the groove makes it a natural next discovery.

For listeners attracted to “Dracula” through its bass and movement, Jungle are worth exploring.

4. Roosevelt – Fever

A smoother indie-electronic choice.

“Fever” combines synthesizers with gentle vocals and an energetic rhythm.

Roosevelt frequently draws from disco, synth-pop and indie dance.

His music has a warm, nostalgic atmosphere.

That makes it particularly suitable for listeners who enjoy Tame Impala’s more melodic electronic recordings.

5. Parcels – Gamesofluck

A live-band approach to dance music.

Parcels combine funk-inspired basslines, rhythmic guitar and polished vocal harmonies.

“Gamesofluck” feels relaxed but rhythmically precise.

It’s an excellent contrast with Parker’s more heavily produced sound.

Both approaches create a strong groove, but Parcels use more obviously band-oriented arrangements.

6. Tame Impala – Is It True

One of the closest recommendations from Parker’s own catalogue.

“Is It True” appeared on The Slow Rush in 2020.

It combines disco-influenced bass with psychedelic-pop songwriting.

The vocal is restrained.

The production is warm and hypnotic.

It’s an ideal starting point for listeners who discovered Tame Impala through “Dracula” rather than his earlier guitar-driven albums.

7. MGMT – Electric Feel

A modern psychedelic-pop classic.

“Electric Feel” combines electronic production with a distinctive bassline and playful vocal.

The recording helped establish MGMT’s reputation for alternative electronic pop.

It shares “Dracula”’s interest in creating a slightly unusual atmosphere around an immediately memorable groove.

The music feels familiar and strange simultaneously.

8. Gorillaz – Stylo

Featuring Bobby Womack and Mos Def, “Stylo” combines electronic rhythm with alternative-pop experimentation.

The bassline is powerful.

The vocal performances create contrasting textures.

And the production has a nocturnal atmosphere.

It’s a particularly strong recommendation for listeners interested in music that moves freely between electronic, soul and alternative traditions.

9. JENNIE – Mantra

A recommendation for the pop side of the collaboration.

“Mantra” places JENNIE’s vocal personality at the centre of a confident, rhythmically direct production.

It doesn’t share all of “Dracula”’s psychedelic qualities.

But it’s a useful introduction to her solo musical identity.

Listeners who particularly enjoy her contribution to the remix should start here.

10. Disclosure – When a Fire Starts to Burn

A more house-oriented recommendation.

Disclosure combine electronic rhythm with repeated vocal material and sophisticated production.

The arrangement is hypnotic.

That makes it a useful direction for listeners who want to explore the club influences behind later Tame Impala.

The sound is less psychedelic.

But the emphasis on rhythm creates a strong connection.

11. L’Impératrice – Vanille fraise

A stylish French electronic-pop recording.

L’Impératrice combine disco, funk and synth-pop influences.

The arrangement is playful and melodic.

Its rhythm is particularly smooth.

For listeners interested in the more sophisticated, groove-driven side of “Dracula”, the group’s catalogue offers plenty to discover.

12. The Weeknd – Sacrifice

An energetic dance-pop recommendation.

“Sacrifice” combines contemporary R&B vocals with a powerful disco-influenced rhythm.

The production has a dark, polished atmosphere.

That makes it a useful companion to “Dracula”.

Both recordings bring alternative musical influences into a sound accessible to mainstream pop listeners.

13. Tame Impala – Borderline

Another essential recording from Parker.

“Borderline” demonstrates his transition towards a more electronic musical identity.

The bass and synthesizers are central.

The vocal remains dreamy and restrained.

It’s particularly useful for understanding how Tame Impala evolved from psychedelic rock towards contemporary alternative dance music.

14. Jessie Ware – Free Yourself

A more theatrical disco-pop recommendation.

“Free Yourself” combines an energetic dance rhythm with a powerful vocal performance.

It’s brighter than “Dracula”.

But the sophisticated arrangement and disco influences create an obvious musical connection.

This is a good choice for listeners who enjoy dance music with large, expressive vocals.

15. Justice – D.A.N.C.E.

Finish with a classic electronic-pop recording.

Justice combine bright melodies with a distinctive rhythmic arrangement.

“D.A.N.C.E.” is more playful than “Dracula”.

But the group’s willingness to combine rock energy, disco and electronic production is central to both musical worlds.

It’s an excellent route into Justice’s wider catalogue.

What genre is Dracula?

Psychedelic pop, alternative dance and electronic pop are the most useful descriptions.

There are also disco and synth-pop influences.

The recording demonstrates how much Kevin Parker’s musical identity has changed.

Listeners familiar with earlier Tame Impala albums may expect fuzzy guitars and 1960s psychedelic influences.

The newer material places much greater emphasis on electronic rhythm.

JENNIE’s remix makes that connection with contemporary pop even clearer.

Why did the JENNIE remix become so successful?

The collaboration brought together two audiences that didn’t necessarily overlap completely.

Tame Impala had an established international reputation within alternative and psychedelic music.

JENNIE brought enormous recognition through BLACKPINK and her solo career.

But the pairing also worked musically.

Both artists have distinctive vocal identities.

And Parker’s production is sufficiently flexible to accommodate different performers.

The result became a major pop crossover rather than simply a promotional collaboration.

Which three songs should you hear first?

Start with Justice’s “Neverender” for the closest musical connection.

Then Tame Impala’s “Is It True” for Parker’s electronic influences.

Finally, Jungle’s “Candle Flame” for the rhythmic side.

Those three provide a useful foundation for exploring the wider musical world surrounding “Dracula”.