{"id":82413,"date":"2021-01-06T14:30:57","date_gmt":"2021-01-06T14:30:57","guid":{"rendered":"http:\/\/routenote.com\/blog\/?p=82413"},"modified":"2021-01-06T14:20:34","modified_gmt":"2021-01-06T14:20:34","slug":"why-music-legends-are-selling-their-publishing-rights","status":"publish","type":"post","link":"https:\/\/routenote.com\/blog\/why-music-legends-are-selling-their-publishing-rights\/","title":{"rendered":"Why Music Legends Are Selling Their Publishing Rights"},"content":{"rendered":"\n<p><i>Image Credit: <a href=\"https:\/\/unsplash.com\/@brett_jordan\">Brett Jordan<\/a><\/i><\/p>\n\n\n\n<h4><span style=\"color: #3366FF\"> As Streaming Services Dominate A Gold Rush Has Erupted For Publishing Rights, Especially Among Stars From The 60\u2019s, 70\u2019s, 80\u2019s &amp; 90\u2019s <\/span><\/h4>\n\n\n\n<p>Recently <b><a href=\"https:\/\/open.spotify.com\/artist\/74ASZWbe4lXaubB36ztrGX?si=dTJsjuGBSPyzzt5si_SKFw\">Bob Dylan<\/a><\/b> Sent shockwaves through the music industry as he sold his publishing rights for more than $300m (\u00a3277m) to <a href=\"https:\/\/www.universalmusic.com\/\">Universal<\/a>. Following this Dolly Parton said she might do the same and <b><a href=\"https:\/\/twitter.com\/thedavidcrosby\/status\/1335980504735072256\">David Crosby<\/a><\/b><a href=\"https:\/\/twitter.com\/thedavidcrosby\/status\/1335980504735072256\"> explained he\u2019s being forced to do so.<\/a> More recently <b><a href=\"https:\/\/open.spotify.com\/artist\/3Dzj993UEz8Z5ovxuirzFO?si=7gCv_YL5QnmwN6RfkXNFWA\">Lindsey Buckingham<\/a><\/b> also <a href=\"https:\/\/www.musicbusinessworldwide.com\/hipgnosis-fully-acquires-lindsey-buckingham-song-catalog-including-100-writer-and-publisher-share-of-fleetwood-mac-hits\/\">sold 100% of his publishing rights, including his writer and publisher share of Fleetwood Mac\u2019s hits<\/a> for an undisclosed amount.&nbsp;<\/p>\n\n\n\n<p>In an age where artists are gaining more control the older generation of music makers are looking to sell their publishing rights, but why is this? There are several reasons, some of which we will never fully know but on the surface it is clear to see that it is purely financially driven. A lot of these artists are of an age where the money being offered is more than they are going to make from streaming and physical sales, so why not? It makes sense but many of these artists have been anti-using-their-music-for-advertisement. Especially <a href=\"https:\/\/www.theguardian.com\/music\/2021\/jan\/06\/neil-young-sells-50-per-cent-of-entire-song-catalogue-rights-to-hipgnosis\">Neil Young<\/a>, who just today sold 50% of his publishing rights to <a href=\"https:\/\/www.hipgnosissongs.com\/home\">Hipgnosis Songs Fund <\/a>(the same buyer of <a href=\"https:\/\/open.spotify.com\/artist\/3Dzj993UEz8Z5ovxuirzFO?si=7gCv_YL5QnmwN6RfkXNFWA\">Lindsey Buckingham<\/a>) for $150m.&nbsp;<\/p>\n\n\n\n<p>One music industry executive has described this as <i>\u201cgold fever\u201d<\/i> as investors look to cash in on the reliable, and increasingly valuable evergreen hits. Rights to songs generate royalties whenever they are played on the radio, sold physically (CD, <a href=\"https:\/\/routenote.com\/blog\/uk-vinyl-sales-2020\/\">Vinyl<\/a>, <a href=\"https:\/\/routenote.com\/blog\/the-unlikely-return-of-cassettes\/\">Cassette<\/a>), covered by another artist or licensed for TV shows, commercials of films. The real shining diamond for investors though is the royalty income from the <a href=\"http:\/\/routenote.com\/blog\/how-to-customize-your-spotify-artist-profile\/\">streaming<\/a> boom, the retro-fetishism and rediscovering of the older artists back catalogue has made them incredibly valuable, now and in the future.\u00a0<\/p>\n\n\n\n<p>Although <a href=\"https:\/\/routenote.com\/blog\/music-by-numbers-2020-report\/\">physical sales are increasing<\/a>, particularly in vinyl most revenue is generated through streaming. In fact, last year streaming accounted for 77% of the \u00a31.4bn UK music market, according to the <a href=\"https:\/\/eraltd.org\/\">Entertainment Retailers Association<\/a>. So, older artists who have their music on<a href=\"https:\/\/routenote.com\/blog\/can-i-upload-my-music-to-spotify-yes-and-its-free\/\"> Spotify<\/a> also enjoy a boost in revenue, for example, <a href=\"https:\/\/open.spotify.com\/track\/37ZJ0p5Jm13JPevGcx4SkF?si=wIIbZWdmSmS8KmCO3PeC1Q\">Bon Jovi\u2019s 34 year old hit \u2018Livin\u2019 On A Prayer\u2019<\/a> has increased by 153%. It\u2019s now pretty clear why companies like Hipgnosis are wanting to buy the rights to the classic hits.&nbsp;<\/p>\n\n\n\n<p>Hipgnosis, a company that was founded in 2018 by Merck Mercuriadis has constantly been at the top when buying up rights to artists catalogues. They started out snapping up <a href=\"https:\/\/open.spotify.com\/artist\/5Y5TRrQiqgUO4S36tzjIRZ?si=iA_kDfSlRHCMv67WrbnhHQ\">Timbaland<\/a>, The-Dream, TMS, Rodney Jerkins, <a href=\"https:\/\/open.spotify.com\/artist\/3hv9jJF3adDNsBSIQDqcjp?si=Gmx4KZeLSjKZTYDe37gkKw\">Mark Ronson<\/a>, <a href=\"https:\/\/open.spotify.com\/artist\/3alW3LYQS8K29z8C8NSLIX?si=eqmetluyRVeAn2_X6LlAnw\">Barry Manilow<\/a>, <a href=\"https:\/\/open.spotify.com\/artist\/5gxynDEKwNDgxGJmJjZyte?si=hcuqN0MeSUumEhKLZDPmjA\">Steve Winwood<\/a> and <a href=\"https:\/\/open.spotify.com\/artist\/4tpUmLEVLCGFr93o8hFFIB?si=LIxNPNWASrCgAMWdNN9JKA\">Blondie<\/a>. Hipgnosis entered the London Stock Exchange in 2018 and was valued at \u00a31.25bn. In the first sixth months of 2020, the company had generated \u00a350m in revenue, twice the amount of the same period in 2019.&nbsp;<\/p>\n\n\n\n<p>According to Mark Mulligan, an analyst at MIDiA Research <em>\u201cThe music publishing deal market is at its peak\u201d<\/em>. He continues, <em>\u201cThere has never been a better time, there may never be a better time, for a hit artist from the 70s, 80s and 90s to sell their rights. These deals are being done at 17, 18, 19, 20 times value.\u201d&nbsp;<\/em><\/p>\n\n\n\n<p>By the end of 2020 artists such as Barry Manilow, Blondie, Chrissie Hynde, Dave Stewart of Eurythmics, <a href=\"https:\/\/open.spotify.com\/artist\/0C0XlULifJtAgn6ZNCW2eu?si=15w7Ow3zS1yC-93_xPvEcQ\">The Killers<\/a> and <a href=\"https:\/\/open.spotify.com\/artist\/53XhwfbYqKCa1cC15pYq2q?si=6eYu6iM1R1WdcBPamQQDsA\">Imagine Dragons<\/a> had sold their publishing rights. Now as we enter 2021 more artists are cashing in, including the aforementioned Neil Young and Lindsey Buckingham. Last year saw more than $4bn spent on buying artists music catalogues, according to MIDiA Research, that number is expected to be easily surpassed in 2021.&nbsp;<\/p>\n\n\n\n<p>However, like all gold rushes there is a limited time on investment return, the bubble will burst. As Merck Mercuriadis, founder of Hipgnosis (and ex manager of <a href=\"https:\/\/open.spotify.com\/artist\/3PhoLpVuITZKcymswpck5b?si=9R4HrDLHT02O7BCg08CezQ\">Elton John<\/a>, <a href=\"https:\/\/open.spotify.com\/artist\/6mdiAmATAx73kdxrNrnlao?si=pDwU98CQSoKZCaJrF7XamQ\">Iron Maiden<\/a>, <a href=\"https:\/\/open.spotify.com\/artist\/3qm84nBOXUEQ2vnTfUTTFC?si=ViyjTxLwTbet_FKUMMaIxQ\">Guns \u2019n\u2019 Roses <\/a>and <a href=\"https:\/\/open.spotify.com\/artist\/6vWDO969PvNqNYHIOW5v0m?si=3cEExtVbRXSs4aoFB6depw\">Beyonce<\/a>) explains <i>\u201cWe have a two-year window where we will probably get to between \u00a32bn to \u00a33bn invested [in catalogues] where these songs will remain at attractive prices\u201d<\/i>. Adding, <em>\u201cThe focus is buying while the songs available are at attractive prices.\u201d<\/em><\/p>\n\n\n\n<p>Over the next year or two it is looking likely that we will see more artists lining up to sling their publishing rights, which feels odd considering they\u2019ve fought so long and hard for them. Nevertheless you can\u2019t be angry at them for doing so, the money being thrown around in a time of economic downfall and uncertainty is surely attractive. The issue is the long-term ramifications of media giant\u2019s owning the rights to music in such a way. We still don\u2019t know how this may affect new artists or artists rising through the ranks. Either way I hope you\u2019re all ready to hear <strong><em><a href=\"https:\/\/open.spotify.com\/track\/52vA3CYKZqZVdQnzRrdZt6?si=y9jGOTM8S9CaBDSIgQ7aNQ\">\u2018The Times They Are A-Changin\u2019<\/a> <\/em><\/strong>on every advert for the next decade.\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As Streaming Services Dominate A Gold Rush Has Erupted For Publishing Rights, Especially Among Stars From The 60\u2019s, 70\u2019s, 80\u2019s &amp; 90\u2019s.<\/p>\n","protected":false},"author":23,"featured_media":82417,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13,1,11109],"tags":[528,1119,1349,2545,20750,3177,10993,3939,20755,20754,20753,155,1038,4254,1922,15591,20751,10349,20752,2877],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.4.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Why Music Legends Are Selling Their Publishing Rights - RouteNote Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/routenote.com\/blog\/why-music-legends-are-selling-their-publishing-rights\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Why Music Legends Are Selling Their Publishing Rights - RouteNote Blog\" \/>\n<meta property=\"og:description\" content=\"As Streaming Services Dominate A Gold Rush Has Erupted For Publishing Rights, Especially Among Stars From The 60\u2019s, 70\u2019s, 80\u2019s &amp; 90\u2019s.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/routenote.com\/blog\/why-music-legends-are-selling-their-publishing-rights\/\" \/>\n<meta property=\"og:site_name\" content=\"RouteNote Blog\" \/>\n<meta property=\"article:published_time\" content=\"2021-01-06T14:30:57+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2021-01-06T14:20:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/routenote.com\/blog\/wp-content\/uploads\/2021\/01\/brett-jordan-hlQwEKy_d8I-unsplash.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"5020\" \/>\n\t<meta property=\"og:image:height\" content=\"3717\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Kieran Webber\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/routenote.com\/blog\/#organization\",\"name\":\"RouteNote\",\"url\":\"https:\/\/routenote.com\/blog\/\",\"sameAs\":[],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/routenote.com\/blog\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/routenote.com\/blog\/wp-content\/uploads\/2020\/11\/routenote-logo.jpg\",\"contentUrl\":\"https:\/\/routenote.com\/blog\/wp-content\/uploads\/2020\/11\/routenote-logo.jpg\",\"width\":1000,\"height\":1000,\"caption\":\"RouteNote\"},\"image\":{\"@id\":\"https:\/\/routenote.com\/blog\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/routenote.com\/blog\/#website\",\"url\":\"https:\/\/routenote.com\/blog\/\",\"name\":\"RouteNote Blog\",\"description\":\"The World of Digital Music - 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