{"id":287,"date":"2008-12-04T15:19:21","date_gmt":"2008-12-04T14:19:21","guid":{"rendered":"http:\/\/routenote.com\/blog\/?p=287"},"modified":"2022-06-09T12:32:33","modified_gmt":"2022-06-09T11:32:33","slug":"the-hitchcock-rules-for-my-monster","status":"publish","type":"post","link":"https:\/\/routenote.com\/blog\/the-hitchcock-rules-for-my-monster\/","title":{"rendered":"The Hitchcock Rules \u2013 For My Monster"},"content":{"rendered":"<p class=\"MsoNormal\">There\u2019s a lot of music on this album. Not just in the sense that there are 14 meaty tracks on it, but in that each one has been painstakingly written and composed. The album would feel uncomfortable being limited by a single genre, so I\u2019ll just slop it into \u2018Rock\u2019, and then qualify it with a lot of competing styles: Coup d\u2019Etat is soaked in drawling Country and Western guitars, with a shuffling drumbeat and a simple guitar riff riding over and under the backing and vocals. There are thumping, stadium rock beats, trashy, crashy indie guitar riffs and stabs, bluesy organs, aching prog rock dissonances and breaks, and a whole gamut of influences competing for space and attention in this music. The twin Ariadne\u2019s threads of the album are front-man Ryan Jones\u2019 allusive writing style, liberally peppered with literary references, and his voice, which is very mobile and fluid, and usually backed up with complex overdubbed harmonics. A fast paced, stomping, pop-tastic, sing-along chorus-fest of an album.<\/p>\n<p class=\"MsoNormal\">\n<p class=\"MsoNormal\">\n<p><object type=\"application\/x-shockwave-flash\" classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" codebase=\"http:\/\/fpdownload.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=9,0,0,0\" width=\"345\" height=\"86\" id=\"spo_TQDx3zacD_2dUzrPCS\" data=\"http:\/\/farm.sproutbuilder.com\/load\/TQDx3zacD-UzrPCS.swf\"><param name=\"wmode\" value=\"transparent\" \/><param name=\"align\" value=\"middle\" \/><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowScriptAccess\" value=\"always\" \/><param name=\"quality\" value=\"best\" \/><param name=\"movie\" value=\"http:\/\/farm.sproutbuilder.com\/load\/TQDx3zacD-UzrPCS.swf\" \/><embed type=\"application\/x-shockwave-flash\" pluginspage=\"http:\/\/www.macromedia.com\/go\/getflashplayer\" name=\"spe_TQDx3zacD_2dUzrPCS\" src=\"http:\/\/farm.sproutbuilder.com\/load\/TQDx3zacD-UzrPCS.swf\" width=\"345\" height=\"86\" wmode=\"transparent\" align=\"middle\" allowFullScreen=\"true\" allowScriptAccess=\"always\" quality=\"best\"\/><\/object><img style=\"visibility:hidden;width:0px;height:0px;\" border=0 width=0 height=0 src=\"http:\/\/counters.gigya.com\/wildfire\/IMP\/CXNID=2000002.0NXC\/bT*xJmx*PTEyMjgzMjEwMzM3NjUmcHQ9MTIyODMyMTAzNTk2OCZwPTEyMDc*MSZkPVRRRHgzemFjRCUyRFV6clBDUyZnPTEmdD*mbz*4NjJiODIzZDBlNGE*MDM3OGE*YTU2ZmNhZjgwOTYxOQ==.gif\" \/><\/p>\n<p class=\"MsoNormal\"><a href=\"http:\/\/click.linksynergy.com\/fs-bin\/stat?id=qhNPzisOmhI&amp;offerid=146261&amp;type=3&amp;subid=0&amp;tmpid=1826&amp;RD_PARM1=http%253A%252F%252Fitunes.apple.com%252FWebObjects%252FMZStore.woa%252Fwa%252FviewAlbum%253Fi%253D293090054%2526id%253D293090042%2526s%253D143444%2526partnerId%253D30\"><img loading=\"lazy\" src=\"http:\/\/www.routenote.com\/files\/audio\/images\/thrc%20fmm.jpg\" alt=\"\" width=\"200\" height=\"200\" \/>&lt;&#8211; Buy it on iTunes<br \/>\n<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>There\u2019s a lot of music on this album. Not just in the sense that there are 14 meaty tracks on it, but in that each one has been painstakingly written and composed. The album would feel uncomfortable being limited by a single genre, so I\u2019ll just slop it into \u2018Rock\u2019, and then qualify it with a lot of competing styles: Coup d\u2019Etat is soaked in drawling Country and Western guitars, with a shuffling drumbeat and a simple guitar riff riding over and under the backing and vocals. There are thumping, stadium rock beats, trashy, crashy indie guitar riffs and stabs,&#8230;<\/p>\n","protected":false},"author":32,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1,284],"tags":[375,370,59,373,372,1286,371,376,374,355,60],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.4.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Hitchcock Rules \u2013 For My Monster - RouteNote Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/routenote.com\/blog\/the-hitchcock-rules-for-my-monster\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Hitchcock Rules \u2013 For My Monster - RouteNote Blog\" \/>\n<meta property=\"og:description\" content=\"There\u2019s a lot of music on this album. 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