{"id":2403,"date":"2009-12-21T18:52:00","date_gmt":"2009-12-21T17:52:00","guid":{"rendered":"http:\/\/routenote.com\/blog\/?p=2403"},"modified":"2022-06-09T12:30:13","modified_gmt":"2022-06-09T11:30:13","slug":"rage-at-no-1","status":"publish","type":"post","link":"https:\/\/routenote.com\/blog\/rage-at-no-1\/","title":{"rendered":"Rage At No.1"},"content":{"rendered":"<p><a href=\"http:\/\/routenote.com\/blog\/wp-content\/uploads\/2009\/12\/ragemas.gif\"><img loading=\"lazy\" class=\"alignleft size-medium wp-image-2407 lazyload\" style=\"margin: 5px;\" title=\"Rage Against The Machine are this year\"s Xmas No.1\" src=\"http:\/\/routenote.com\/blog\/wp-content\/uploads\/2009\/12\/ragemas-300x225.gif\" alt=\"Rage Against The Machine are this year\"s Xmas No.1\" width=\"300\" height=\"225\" data-srcset=\"https:\/\/routenote.com\/blog\/wp-content\/uploads\/2009\/12\/ragemas-300x225.gif 300w, https:\/\/routenote.com\/blog\/wp-content\/uploads\/2009\/12\/ragemas-430x322.gif 430w, https:\/\/routenote.com\/blog\/wp-content\/uploads\/2009\/12\/ragemas.gif 800w\" sizes=\"auto\" \/><\/a>The announcement was out by 2:30pm on Sunday, and leaked onto the internet long before the 7pm embargo that the Official Charts Company had set in their press release &#8211; Rage Against The Machine are No.1 in the UK this Christmas. Theirs is the first Xmas No.1 to reach that position on only digital sales. A milestone that will pass pretty much unnoticed in the turmoil surrounding the campaign that won it for them.<\/p>\n<p>They are the beneficiaries of a campaign launched by Jon and Tracy Morter, mainly on Facebook but touted around most of the net by anyone who agrees with <a href=\"http:\/\/www.guardian.co.uk\/commentisfree\/2009\/dec\/21\/charlie-brooker-rage-against-the-machine\">Charlie Brooker<\/a> that Joe McElderry&#8217;s (the X Factor Winner) track is a <em>&#8220;&#8230;pissweak vocal doodle&#8230; a listless announcement on a service station Tannoy<\/em>; <em>an advert for buttons; a fart in a clinic; a dot on a spreadsheet.&#8221;<\/em> Reactions to the news have been predictable in their variation: the usual slew of vituperative comments on Facebook and YouTube crowing over Joe\/the X-Factor\/Simon Cowell&#8217;s failure &#8211; hilariously highlighting their &#8220;Number Two&#8221; ranking, journalists pointing out the disappointing irony that both tracks belong to Sony; the machine has anticipated your rebellion and is profiting from it.<\/p>\n<p>This doesn&#8217;t really detract from the success of the campaign for me. What the Morters managed to do was give the motley rabble of alternative music fans a harlequin flag to rally behind. In his inimitable way, Mr. Brooker was making the point that <em>Rage&#8217;s<\/em> song is emotional, impassioned music for it&#8217;s own sake, unlike the X-Factor single, which is part of a vehicle created by Simon Cowell and others to make money from music<\/p>\n<p>RATM are obviously very pleased about all this and are planning a free gig next year to say thankyou to all their fans:<\/p>\n<blockquote><p>&#8220;We&#8217;re very, very ecstatic and excited about the song reaching the number one spot and I just want to say we want to thank everyone for participating in this incredible, organic grassroots campaign.&#8221;<\/p>\n<p>&#8220;It&#8217;s more about the spontaneous action taken by young people in the UK to topple this very sterile pop monopoly,&#8221; he continued. &#8220;When young people decide to take action they can make what&#8217;s seemingly impossible possible.&#8221;<\/p><\/blockquote>\n<p>This is a positive, encouraging response, and I&#8217;d love to see them make a comeback, but am I alone in thinking that the campaign was more anti-X-Factor than pro RATM? Good on them, plucky little 40 year old punks that they are &#8211; but they&#8217;ve <a href=\"http:\/\/en.wikipedia.org\/wiki\/One_Day_as_a_Lion_%28EP%29\">moved on<\/a>. The campaign seemed more about rejecting what is fed to the masses, the point that is covered in &#8216;Killing in the name of&#8217;, and was so succinctly put by Paul Weller &#8211; &#8220;The public wants what the public gets&#8221;. It&#8217;s a complaint that, well intentioned as Joe McElderry may be in himself, to the RATM buyers, he is a grinning mask stretched over the pitiless metal visage of Cowell and Co.&#8217;s marketing machine &#8211; a machine so successful that it has made even the process of disappointing hundreds of hopeful young people profitable, and reinstated the pillory as a form of national public entertainment, whilst simultaneously chiding us for expecting the worst from the pitiable social outcasts they drag up specifically for our ridicule, and <a href=\"http:\/\/www.susanboylemusic.com\/\">profiting from their talent too<\/a>. Yes, in the flurry of excitement over &#8216;Ragemas&#8217;, everyone&#8217;s ignoring the fact that the Simon monster has got it&#8217;s vicelike grip around the No.1 album slot.<\/p>\n<p>Cowell&#8217;s response to his defeat is that of a true shark; he <a href=\"http:\/\/www.gigwise.com\/news\/53965\/Simon-Cowell-Offers-Jon-and-Tracy-Morter-A-Job\">offered the couple that orchestrated the campaign a job<\/a>.<span id=\"intelliTXT\"> He told the Mirror: <em>&#8220;I&#8217;m genuinely impressed by the campaign they have run. It has been a good campaign with no dirty tricks and without funding. They have been passionate and worked hard.\u201d<\/em><\/span><em> \u201cThis is their first attempt at putting out a record and they got a Christmas No 1, so they have not done badly at all.<\/em><\/p>\n<p>Good, Simon, magnanimity becomes you.<\/p>\n<p><em>\u201cI wanted them to come and work for us. I was deadly serious but they haven&#8217;t taken me up on the offer.\u201d<\/em><\/p>\n<p>Wait&#8230; what?<\/p>\n<p><em>\u201cI now realise I&#8217;ve taken too much for granted. I have got to hold my hands up. I accept there are people that don&#8217;t like The X-Factor.\u201d <\/em><\/p>\n<p>Either he&#8217;s a master of dead-pan sarcasm to rival <a href=\"http:\/\/www.bbc.co.uk\/programmes\/b006qnwb\">Humphrey Lyttleton<\/a>, or his head is so far in the sand he can taste magma&#8230; Either way, he&#8217;s relentless &#8211; the mob are at the castle gates, pitchforks in hand, and he condescends to ask them if they&#8217;d like a job moving hay.<\/p>\n<div>\n<p>I think my favourite reaction to the whole debacle came from poor, naive little Joe, whose reaction on listening to &#8216;Killing in the Name Of&#8217; was printed in the Sun:<\/p>\n<blockquote><p>&#8220;They can&#8217;t be serious! I had no idea what it sounded like. It&#8217;s dreadful and I hate it. How could anyone enjoy this? Can you imagine the grandmas hearing this over Christmas lunch?<\/p>\n<p>&#8220;I wouldn&#8217;t buy it. It&#8217;s a nought out of ten from me. Simon Cowell wouldn&#8217;t like it. [Why Joe, what a brown nose you have!] They wouldn&#8217;t get through to boot camp on The X Factor &#8211; they&#8217;re just shouting.&#8221;<\/p><\/blockquote>\n<p>He really doesn&#8217;t get it! It&#8217;s wonderful! In his 18 year old little bubble, the world is really full of Unicorns, kittens and leprechauns snuggling rainbows. Let&#8217;s look forward in time ten years to when the phone in his Kensington apartment has bizarrely failed to ring for the sixth consecutive month. Let&#8217;s think about the moment when the first crack appears in that illusion he&#8217;s holding right now. It might even be next year, when the next X-Factor winner gets the food bowl next to Simon&#8217;s chair at dinner, and his is pushed down a row. Let&#8217;s understand that this is why there is no long tail on the manufactured, novocaine smelling, surgical pink pop that gets churned out by the Pop-Idol mill &#8211; there&#8217;s no emotion in it; no real understanding about music, no desire to communicate something passionate and unique in a way that makes the financial gain irrelevant. The art of music only exists when it transcends the material and is a thing for and of itself, and that&#8217;s what people love it for. Joe, Simon and Co. are using people&#8217;s base tendency to buy what is put in front of them to make money, not to make music.<\/p>\n<p>[On the other hand, we here at RouteNote are providing a service to the underappreciated, hard working independent artists, and we would very much like to distribute your tracks for you, and <a href=\"..\/..\/\">make your music make money for you.<\/a>]<\/p>\n<p>So what can we take from the whole affair? It&#8217;s good that some musicians are at number one, rather than a marketing team wielding the bludgeon of a multi million pound marketing vehicle and weekly TV show. It&#8217;s good that the balkanised, fractured section of the public that loves music, be it Grime, Hip Hop, Metal or good old fashioned anti-corporate Rock have got together and taken charge of the charts for a week. It&#8217;s very good that the campaign to achieve this has also raised more than \u00a370,000 for charity. But. It&#8217;s not sustainable &#8211; the people that like listening to music rather than staying in watching gumph on telly of a Saturday night generally like too many different types of music for this chart domination to be a regular occurrence; but perhaps we can feel reassured that there is still a music buying, music loving public out there, prepared to pony up for something they believe in. The artists that really care about what they&#8217;re playing will always have real listeners &#8211; ones that will buy them a beer and say thanks after the gig, and reminisce in the pub after their band has broken up. I don&#8217;t think anyone will mourn the passing of Joe McElderry&#8217;s musical career over a pint of real ale in the Islington Arms. I hope that the campaign organisers can repeat their feat, and that next year we can buy a record from a great new artist on an independent label; a proportion of the profits from which will go to support a charity, or to supporting more up-and-coming artists. Maybe, and I realise that this is a wistful, hopeless dream, just maybe that song could be <a href=\"http:\/\/www.last.fm\/music\/Rolf+Harris\/_\/The+Wonderful+Christmas+Pig\">Rolf Harris&#8217; <em>&#8216;Wonderful Christmas Pig&#8217;<\/em><\/a> [no derogatory comments about Susan Boyle, please].<\/div>\n","protected":false},"excerpt":{"rendered":"<p>The announcement was out by 2:30pm on Sunday, and leaked onto the internet long before the 7pm embargo that the Official Charts Company had set in their press release &#8211; Rage Against The Machine are No.1 in the UK this Christmas. Theirs is the first Xmas No.1 to reach that position on only digital sales. A milestone that will pass pretty much unnoticed in the turmoil surrounding the campaign that won it for them. They are the beneficiaries of a campaign launched by Jon and Tracy Morter, mainly on Facebook but touted around most of the net by anyone who&#8230;<\/p>\n","protected":false},"author":32,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13,1],"tags":[2052,2047,836,2046,2054,919,1480,2053],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.4.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Rage At No.1 - RouteNote Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/routenote.com\/blog\/rage-at-no-1\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rage At No.1 - RouteNote Blog\" \/>\n<meta property=\"og:description\" content=\"The announcement was out by 2:30pm on Sunday, and leaked onto the internet long before the 7pm embargo that the Official Charts Company had set in their press release &#8211; Rage Against The Machine are No.1 in the UK this Christmas. 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They are the beneficiaries of a campaign launched by Jon and Tracy Morter, mainly on Facebook but touted around most of the net by anyone who...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/routenote.com\/blog\/rage-at-no-1\/\" \/>\n<meta property=\"og:site_name\" content=\"RouteNote Blog\" \/>\n<meta property=\"article:published_time\" content=\"2009-12-21T17:52:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-06-09T11:30:13+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/routenote.com\/blog\/wp-content\/uploads\/2009\/12\/ragemas-300x225.gif\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"RouteBot\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/routenote.com\/blog\/#organization\",\"name\":\"RouteNote\",\"url\":\"https:\/\/routenote.com\/blog\/\",\"sameAs\":[],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/routenote.com\/blog\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/routenote.com\/blog\/wp-content\/uploads\/2020\/11\/routenote-logo.jpg\",\"contentUrl\":\"https:\/\/routenote.com\/blog\/wp-content\/uploads\/2020\/11\/routenote-logo.jpg\",\"width\":1000,\"height\":1000,\"caption\":\"RouteNote\"},\"image\":{\"@id\":\"https:\/\/routenote.com\/blog\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/routenote.com\/blog\/#website\",\"url\":\"https:\/\/routenote.com\/blog\/\",\"name\":\"RouteNote Blog\",\"description\":\"The World of Digital Music - 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