{"id":15635,"date":"2019-01-18T15:08:33","date_gmt":"2019-01-18T15:08:33","guid":{"rendered":"http:\/\/routenote.com\/blog\/?p=15635"},"modified":"2019-01-21T10:40:22","modified_gmt":"2019-01-21T10:40:22","slug":"grammys","status":"publish","type":"post","link":"https:\/\/routenote.com\/blog\/grammys\/","title":{"rendered":"The 61st GRAMMY Awards nominations 2019 &#8211; Complete list"},"content":{"rendered":"<h4><span style=\"color: #3366ff;\">The nominations for the 61st GRAMMY Awards are here revealing what has been shortlisted as the best in music and legacy music for 2019. Here are all of the nominations for each category of the famed award ceremony.<\/span><\/h4>\n<h1>GENERAL FIELD<\/h1>\n<p><strong>1. Record Of The Year<\/strong><br \/>\n<em>Award to the Artist and to the Producer(s), Recording Engineer(s) and\/or Mixer(s) and mastering engineer(s), if other than the artist.<\/em><\/p>\n<ul>\n<li>I LIKE IT<br \/>\nCardi B, Bad Bunny &amp; J Balvin<br \/>\nInvincible, JWhiteDidIt, Craig Kallman &amp; Tainy, producers; Leslie Brathwaite, Kuk Harrell,\u00a0Evan LaRay &amp; Simone Torres, engineers\/mixers; Colin Leonard, mastering engineer<\/li>\n<li>THE JOKE<br \/>\nBrandi Carlile<br \/>\nDave Cobb &amp; Shooter Jennings, producers; Tom Elmhirst &amp; Eddie Spear, engineers\/mixers; Pete Lyman, mastering engineer<\/li>\n<li>THIS IS AMERICA<br \/>\nChildish Gambino<br \/>\nDonald Glover &amp; Ludwig Goransson, producers; Derek &#8220;MixedByAli&#8221; Ali, Riley Mackin &amp; Shaan Singh, engineers\/mixers; Mike Bozzi, mastering engineer<\/li>\n<li>GOD&#8217;S PLAN<br \/>\nDrake<br \/>\nBoi-1Da, Cardo &amp; Young Exclusive, producers; Noel Cadastre, Noel &#8220;Gadget&#8221; Campbell &amp; Noah Shebib, engineers\/mixers; Chris Athens, mastering engineer<\/li>\n<li>SHALLOW<br \/>\nLady Gaga &amp; Bradley Cooper<br \/>\nLady Gaga &amp; Benjamin Rice, producers; Brandon Bost &amp; Tom Elmhirst, engineers\/mixers; Randy Merrill, mastering engineer<\/li>\n<li>ALL THE STARS<br \/>\nKendrick Lamar &amp; SZA<br \/>\nAl Shux &amp; Sounwave, producers; Sam Ricci &amp; Matt Schaeffer, engineers\/mixers; Mike Bozzi, mastering engineer<\/li>\n<li>ROCKSTAR<br \/>\nPost Malone Featuring 21 Savage<br \/>\nLouis Bell &amp; Tank God, producers; Louis Bell, Lorenzo Cardona,\u00a0Manny Marroquin &amp; Ethan Stevens, engineers\/mixers; Mike Bozzi, mastering engineer<\/li>\n<li>THE MIDDLE<br \/>\nZedd, Maren Morris &amp; Grey<br \/>\nGrey, Monsters &amp; Strangerz &amp; Zedd, producers; Grey, Tom Norris, Ryan Shanahan &amp; Zedd, engineers\/mixers; Mike Marsh, mastering engineer<\/li>\n<\/ul>\n<p><strong>2. Album Of The Year<\/strong><br \/>\n<em>Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s) credited with at least 33% playing time of the album, if other than Artist.<\/em><\/p>\n<ul>\n<li>INVASION OF PRIVACY<br \/>\nCardi B<br \/>\nLeslie Brathwaite &amp; Evan LaRay, engineers\/mixers; Belcalis Almanzar &amp; Jorden Thorpe, songwriters; Colin Leonard, mastering engineer<\/li>\n<li>BY THE WAY, I FORGIVE YOU<br \/>\nBrandi Carlile<br \/>\nDave Cobb &amp; Shooter Jennings, producers; Dave Cobb &amp; Eddie Spear, engineers\/mixers; Brandi Carlile, Phil Hanseroth &amp; Tim Hanseroth, songwriters; Pete Lyman, mastering engineer<\/li>\n<li>SCORPION<br \/>\nDrake<br \/>\nNoel Cadastre, Noel &#8220;Gadget&#8221; Campbell &amp; Noah Shebib, engineers\/mixers; Aubrey Graham &amp; Noah Shebib, songwriters; Chris Athens, mastering engineer<\/li>\n<li>H.E.R.<br \/>\nH.E.R.<br \/>\nDarhyl &#8220;Hey DJ&#8221; Camper Jr, David &#8216;Swagg R&#8217;Celious&#8217; Harris, H.E.R., Walter Jones &amp; Jeff Robinson, producers; Miki Tsutsumi, engineer\/mixer; Darhyl Camper Jr &amp; H.E.R., songwriters; Dave Kutch, mastering engineer<\/li>\n<li>BEERBONGS &amp; BENTLEYS<br \/>\nPost Malone<br \/>\nLouis Bell &amp; Post Malone, producers; Louis Bell &amp; Manny Marroquin, engineers\/mixers; Louis Bell &amp; Austin Post, songwriters; Mike Bozzi, mastering engineer<\/li>\n<li>DIRTY COMPUTER<br \/>\nJanelle Mon\u00e1e<br \/>\nChuck Lightning &amp; Janelle Mon\u00e1e Robinson &amp; Nate &#8220;Rocket&#8221; Wonder, producers; Mick Guzauski, Janelle Mon\u00e1e Robinson &amp; Nate &#8220;Rocket&#8221; Wonder, engineers\/mixers; Nathaniel Irvin III, Charles Joseph II, Taylor Parks &amp; Janelle Mon\u00e1e Robinson, songwriters; Dave Kutch, mastering engineer<\/li>\n<li>GOLDEN HOUR<br \/>\nKacey Musgraves<br \/>\nIan Fitchuk, Kacey Musgraves &amp; Daniel Tashian, producers; Craig Alvin &amp; Shawn Everett, engineers\/mixers; Ian Fitchuk, Kacey Musgraves &amp; Daniel Tashian, songwriters; Greg Calbi &amp; Steve Fallone, mastering engineers<\/li>\n<li>BLACK PANTHER: THE ALBUM, MUSIC FROM AND INSPIRED BY<br \/>\n(Various Artists)<br \/>\nKendrick Lamar, featured artist; Kendrick Duckworth &amp; Sounwave, producers; Matt Schaeffer, engineer\/mixer; Kendrick Duckworth &amp; Mark Spears, songwriters; Mike Bozzi, mastering engineer<\/li>\n<\/ul>\n<p><strong>3. Song Of The Year<\/strong><br \/>\n<em>A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>ALL THE STARS<br \/>\nKendrick Duckworth, Sol\u00e1na Rowe, Al Shuckburgh, Mark Spears &amp; Anthony Tiffith, songwriters (Kendrick Lamar &amp; SZA)<\/li>\n<li>BOO&#8217;D UP<br \/>\nLarrance Dopson, Joelle James, Ella Mai &amp; Dijon McFarlane, songwriters (Ella Mai)<\/li>\n<li>GOD&#8217;S PLAN<br \/>\nAubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels &amp; Noah Shebib, songwriters (Drake)<\/li>\n<li>IN MY BLOOD<br \/>\nTeddy Geiger, Scott Harris, Shawn Mendes &amp; Geoffrey Warburton, songwriters (Shawn Mendes)<\/li>\n<li>THE JOKE<br \/>\nBrandi Carlile, Dave Cobb, Phil Hanseroth &amp; Tim Hanseroth, songwriters (Brandi Carlile)<\/li>\n<li>THE MIDDLE<br \/>\nSarah Aarons, Jordan K. Johnson, Stefan Johnson, Marcus Lomax, Kyle Trewartha, Michael Trewartha &amp; Anton Zaslavski, songwriters (Zedd, Maren Morris &amp; Grey)<\/li>\n<li>SHALLOW<br \/>\nLady Gaga, Mark Ronson, Anthony Rossomando &amp; Andrew Wyatt, songwriters (Lady Gaga &amp; Bradley Cooper)<\/li>\n<li>THIS IS AMERICA<br \/>\nDonald Glover,\u00a0Ludwig Goransson &amp; Jeffery Lamar Williams, songwriters (Childish Gambino)<\/li>\n<\/ul>\n<p><strong>4. Best New Artist<\/strong><br \/>\n<em>An artist will be considered for Best New Artist if their eligibility year release\/s achieved a breakthrough into the public consciousness and notably impacted the musical landscape.<\/em><\/p>\n<ul>\n<li>CHLOE X HALLE<\/li>\n<li>LUKE COMBS<\/li>\n<li>GRETA VAN FLEET<\/li>\n<li>H.E.R.<\/li>\n<li>DUA LIPA<\/li>\n<li>MARGO PRICE<\/li>\n<li><a id=\"1\" name=\"1\"><\/a>BEBE REXHA<\/li>\n<li>JORJA SMITH<\/li>\n<\/ul>\n<h1>POP<\/h1>\n<p><strong>5. Best Pop Solo Performance<\/strong><br \/>\n<em>For new vocal or instrumental pop recordings. Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>COLORS<br \/>\nBeck<\/li>\n<li>HAVANA (LIVE)<br \/>\nCamila Cabello<\/li>\n<li>GOD IS A WOMAN<br \/>\nAriana Grande<\/li>\n<li>JOANNE (WHERE DO YOU THINK YOU&#8217;RE GOIN&#8217;?)<br \/>\nLady Gaga<\/li>\n<li>BETTER NOW<br \/>\nPost Malone<\/li>\n<\/ul>\n<p><strong>6. Best Pop Duo\/Group Performance<\/strong><br \/>\n<em>For new vocal or instrumental duo\/group or collaborative pop recordings. Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>FALL IN LINE<br \/>\nChristina Aguilera Featuring Demi Lovato<\/li>\n<li>DON&#8217;T GO BREAKING MY HEART<br \/>\nBackstreet Boys<\/li>\n<li>&#8216;S WONDERFUL<br \/>\nTony Bennett &amp; Diana Krall<\/li>\n<li>SHALLOW<br \/>\nLady Gaga &amp; Bradley Cooper<\/li>\n<li>GIRLS LIKE YOU<br \/>\nMaroon 5 Featuring Cardi B<\/li>\n<li>SAY SOMETHING<br \/>\nJustin Timberlake Featuring Chris Stapleton<\/li>\n<li>THE MIDDLE<br \/>\nZedd, Maren Morris &amp; Grey<\/li>\n<\/ul>\n<p><strong>7. Best Traditional Pop Vocal Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new traditional pop recordings.<\/em><\/p>\n<ul>\n<li>LOVE IS HERE TO STAY<br \/>\nTony Bennett &amp; Diana Krall<\/li>\n<li>MY WAY<br \/>\nWillie Nelson<\/li>\n<li>NAT &#8220;KING&#8221; COLE &amp; ME<br \/>\nGregory Porter<\/li>\n<li>STANDARDS (DELUXE)<br \/>\nSeal<\/li>\n<li>THE MUSIC&#8230;THE MEM&#8217;RIES&#8230;THE MAGIC!<br \/>\nBarbra Streisand<\/li>\n<\/ul>\n<p><strong>8. Best Pop Vocal Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal pop recordings.<\/em><\/p>\n<ul>\n<li>CAMILA<br \/>\nCamila Cabello<\/li>\n<li>MEANING OF LIFE<br \/>\nKelly Clarkson<\/li>\n<li>SWEETENER<br \/>\nAriana Grande<\/li>\n<li>SHAWN MENDES<br \/>\nShawn Mendes<\/li>\n<li><a id=\"2\" name=\"2\"><\/a>BEAUTIFUL TRAUMA<br \/>\nP!nk<\/li>\n<li>REPUTATION<br \/>\nTaylor Swift<\/li>\n<\/ul>\n<h1>DANCE\/ELECTRONIC MUSIC<\/h1>\n<p><strong>9. Best Dance Recording<\/strong><br \/>\n<em>For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.<\/em><\/p>\n<ul>\n<li>NORTHERN SOUL<br \/>\nAbove &amp; Beyond Featuring Richard Bedford<br \/>\nAbove &amp; Beyond &amp; Andrew Bayer, producers; Above &amp; Beyond, mixers<\/li>\n<li>ULTIMATUM<br \/>\nDisclosure (Featuring Fatoumata Diawara)<br \/>\nGuy Lawrence &amp; Howard Lawrence, producers; Guy Lawrence, mixer<\/li>\n<li>LOSING IT<br \/>\nFisher<br \/>\nPaul Nicholas Fisher, producer; Kevin Grainger, mixer<\/li>\n<li>ELECTRICITY<br \/>\nSilk City &amp; Dua Lipa Featuring Diplo &amp; Mark Ronson<br \/>\nJarami, Alex Metric, Riton &amp; Silk City, producers; Josh Gudwin, mixer<\/li>\n<li>GHOST VOICES<br \/>\nVirtual Self<br \/>\nPorter Robinson, producer; Porter Robinson, mixer<\/li>\n<\/ul>\n<p><strong>10. Best Dance\/Electronic Album<\/strong><br \/>\n<em>For vocal or instrumental albums. Albums only.<\/em><\/p>\n<ul>\n<li>SINGULARITY<br \/>\nJon Hopkins<\/li>\n<li>WOMAN WORLDWIDE<br \/>\nJustice<\/li>\n<li>TREEHOUSE<br \/>\nSofi Tukker<\/li>\n<li><a id=\"3\" name=\"3\"><\/a>OIL OF EVERY PEARL&#8217;S UN-INSIDES<br \/>\nSOPHIE<\/li>\n<li>LUNE ROUGE<br \/>\nTOKiMONSTA<\/li>\n<\/ul>\n<h1>CONTEMPORARY INSTRUMENTAL MUSIC<\/h1>\n<p><strong>11. Best Contemporary Instrumental Album<\/strong><br \/>\n<em>For albums containing approximately 51% or more playing time of instrumental material. For albums containing at least 51% playing time of new recordings.<\/em><\/p>\n<ul>\n<li>THE EMANCIPATION PROCRASTINATION<br \/>\nChristian Scott aTunde Adjuah<\/li>\n<li>STEVE GADD BAND<br \/>\nSteve Gadd Band<\/li>\n<li>MODERN LORE<br \/>\nJulian Lage<\/li>\n<li><a id=\"4\" name=\"4\"><\/a>LAID BLACK<br \/>\nMarcus Miller<\/li>\n<li>PROTOCOL 4<br \/>\nSimon Phillips<\/li>\n<\/ul>\n<h1>ROCK<\/h1>\n<p><strong>12. Best Rock Performance<\/strong><br \/>\n<em>For new vocal or instrumental solo, duo\/group or collaborative rock recordings.<\/em><\/p>\n<ul>\n<li>FOUR OUT OF FIVE<br \/>\nArctic Monkeys<\/li>\n<li>WHEN BAD DOES GOOD<br \/>\nChris Cornell<\/li>\n<li>MADE AN AMERICA<br \/>\nTHE FEVER 333<\/li>\n<li>HIGHWAY TUNE<br \/>\nGreta Van Fleet<\/li>\n<li>UNCOMFORTABLE<br \/>\nHalestorm<\/li>\n<\/ul>\n<p><strong>13. Best Metal Performance<\/strong><br \/>\n<em>For new vocal or instrumental solo, duo\/group or collaborative metal recordings.<\/em><\/p>\n<ul>\n<li>CONDEMNED TO THE GALLOWS<br \/>\nBetween The Buried And Me<\/li>\n<li>HONEYCOMB<br \/>\nDeafheaven<\/li>\n<li>ELECTRIC MESSIAH<br \/>\nHigh On Fire<\/li>\n<li>BETRAYER<br \/>\nTrivium<\/li>\n<li>ON MY TEETH<br \/>\nUnderoath<\/li>\n<\/ul>\n<p><strong>14. Best Rock Song<\/strong><br \/>\n<em>A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>BLACK SMOKE RISING<br \/>\nJacob Thomas Kiszka, Joshua Michael Kiszka, Samuel Francis Kiszka &amp; Daniel Robert Wagner, songwriters (Greta Van Fleet)<\/li>\n<li>JUMPSUIT<br \/>\nTyler Joseph, songwriter (Twenty One Pilots)<\/li>\n<li>MANTRA<br \/>\nJordan Fish, Matthew Kean, Lee Malia, Matthew Nicholls &amp; Oliver Sykes, songwriters (Bring Me The Horizon)<\/li>\n<li>MASSEDUCTION<br \/>\nJack Antonoff &amp; Annie Clark, songwriters (St. Vincent)<\/li>\n<li>RATS<br \/>\nTom Dalgety &amp; A Ghoul Writer, songwriters (Ghost)<\/li>\n<\/ul>\n<p><strong>15. Best Rock Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new rock, hard rock or metal recordings.<\/em><\/p>\n<ul>\n<li>RAINIER FOG<br \/>\nAlice In Chains<\/li>\n<li>M A N I A<br \/>\nFall Out Boy<\/li>\n<li>PREQUELLE<br \/>\nGhost<\/li>\n<li><a id=\"5\" name=\"5\"><\/a>FROM THE FIRES<br \/>\nGreta Van Fleet<\/li>\n<li>PACIFIC DAYDREAM<br \/>\nWeezer<\/li>\n<\/ul>\n<h1>ALTERNATIVE<\/h1>\n<p><strong>16. Best Alternative Music Album<\/strong><br \/>\n<em>Vocal or Instrumental.<\/em><\/p>\n<ul>\n<li>TRANQUILITY BASE HOTEL + CASINO<br \/>\nArctic Monkeys<\/li>\n<li>COLORS<br \/>\nBeck<\/li>\n<li>UTOPIA<br \/>\nBj\u00f6rk<\/li>\n<li><a id=\"6\" name=\"6\"><\/a>AMERICAN UTOPIA<br \/>\nDavid Byrne<\/li>\n<li>MASSEDUCTION<br \/>\nSt. Vincent<\/li>\n<\/ul>\n<h1>R&amp;B<\/h1>\n<p><strong>17. Best R&amp;B Performance<\/strong><br \/>\n<em>For new vocal or instrumental R&amp;B recordings.<\/em><\/p>\n<ul>\n<li>LONG AS I LIVE<br \/>\nToni Braxton<\/li>\n<li>SUMMER<br \/>\nThe Carters<\/li>\n<li>Y O Y<br \/>\nLalah Hathaway<\/li>\n<li>BEST PART<br \/>\nH.E.R. Featuring Daniel Caesar<\/li>\n<li>FIRST BEGAN<br \/>\nPJ Morton<\/li>\n<\/ul>\n<p><strong>18. Best Traditional R&amp;B Performance<\/strong><br \/>\n<em>For new vocal or instrumental traditional R&amp;B recordings.<\/em><\/p>\n<ul>\n<li>BET AIN&#8217;T WORTH THE HAND<br \/>\nLeon Bridges<\/li>\n<li>DON&#8217;T FALL APART ON ME TONIGHT<br \/>\nBettye LaVette<\/li>\n<li>HONEST<br \/>\nMAJOR.<\/li>\n<li>HOW DEEP IS YOUR LOVE<br \/>\nPJ Morton Featuring Yebba<\/li>\n<li>MADE FOR LOVE<br \/>\nCharlie Wilson Featuring Lalah Hathaway<\/li>\n<\/ul>\n<p><strong>19. Best R&amp;B Song<\/strong><br \/>\n<em>A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>BOO&#8217;D UP<br \/>\nLarrance Dopson, Joelle James, Ella Mai &amp; Dijon McFarlane, songwriters (Ella Mai)<\/li>\n<li>COME THROUGH AND CHILL<br \/>\nJermaine Cole, Miguel Pimentel &amp; Salaam Remi, songwriters (Miguel Featuring J. Cole &amp; Salaam Remi)<\/li>\n<li>FEELS LIKE SUMMER<br \/>\nDonald Glover &amp; Ludwig Goransson, songwriters (Childish Gambino)<\/li>\n<li>FOCUS<br \/>\nDarhyl Camper Jr, H.E.R. &amp; Justin Love, songwriters (H.E.R.)<\/li>\n<li>LONG AS I LIVE<br \/>\nPaul Boutin, Toni Braxton &amp; Antonio Dixon, songwriters (Toni Braxton)<\/li>\n<\/ul>\n<p><strong>20. Best Urban Contemporary Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of newly recorded contemporary vocal tracks derivative of R&amp;B.<\/em><\/p>\n<ul>\n<li>EVERYTHING IS LOVE<br \/>\nThe Carters<\/li>\n<li>THE KIDS ARE ALRIGHT<br \/>\nChloe x Halle<\/li>\n<li>CHRIS DAVE AND THE DRUMHEDZ<br \/>\nChris Dave And The Drumhedz<\/li>\n<li>WAR &amp; LEISURE<br \/>\nMiguel<\/li>\n<li>VENTRILOQUISM<br \/>\nMeshell Ndegeocello<\/li>\n<\/ul>\n<p><strong>21. Best R&amp;B Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new R&amp;B recordings.<\/em><\/p>\n<ul>\n<li>SEX &amp; CIGARETTES<br \/>\nToni Braxton<\/li>\n<li>GOOD THING<br \/>\nLeon Bridges<\/li>\n<li>HONESTLY<br \/>\nLalah Hathaway<\/li>\n<li><a id=\"7\" name=\"7\"><\/a>H.E.R.<br \/>\nH.E.R.<\/li>\n<li>GUMBO UNPLUGGED (LIVE)<br \/>\nPJ Morton<\/li>\n<\/ul>\n<h1>RAP<\/h1>\n<p><strong>22. Best Rap Performance<\/strong><br \/>\n<em>For a Rap performance. Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>BE CAREFUL<br \/>\nCardi B<\/li>\n<li>NICE FOR WHAT<br \/>\nDrake<\/li>\n<li>KING&#8217;S DEAD<br \/>\nKendrick Lamar, Jay Rock, Future &amp; James Blake<\/li>\n<li>BUBBLIN<br \/>\nAnderson .Paak<\/li>\n<li>SICKO MODE<br \/>\nTravis Scott, Drake, Big Hawk &amp; Swae Lee<\/li>\n<\/ul>\n<p><strong>23. Best Rap\/Sung Performance<\/strong><br \/>\n<em>For a solo or collaborative performance containing both elements of R&amp;B melodies and Rap.<\/em><\/p>\n<ul>\n<li>LIKE I DO<br \/>\nChristina Aguilera Featuring Goldlink<\/li>\n<li>PRETTY LITTLE FEARS<br \/>\n6lack Featuring J. Cole<\/li>\n<li>THIS IS AMERICA<br \/>\nChildish Gambino<\/li>\n<li>ALL THE STARS<br \/>\nKendrick Lamar &amp; SZA<\/li>\n<li>ROCKSTAR<br \/>\nPost Malone Featuring 21 Savage<\/li>\n<\/ul>\n<p><strong>24. Best Rap Song<\/strong><br \/>\n<em>A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>GOD&#8217;S PLAN<br \/>\nAubrey Graham, Daveon Jackson, Brock Korsan, Ron LaTour, Matthew Samuels &amp; Noah Shebib, songwriters (Drake)<\/li>\n<li>KING&#8217;S DEAD<br \/>\nKendrick Duckworth, Samuel Gloade, James Litherland, Johnny McKinzie, Axel Morgan, Mark Spears, Travis Walton, Nayvadius Wilburn &amp; Michael Williams II, songwriters (Kendrick Lamar, Jay Rock, Future &amp; James Blake)<\/li>\n<li>LUCKY YOU<br \/>\nR. Fraser, G. Lucas, M. Mathers, M. Samuels &amp; J. Sweet, songwriters (Eminem Featuring Joyner Lucas)<\/li>\n<li>SICKO MODE<br \/>\nKhalif Brown, Rog\u00e9t Chahayed, BryTavious Chambers, Mike Dean, Mirsad Dervic, Kevin Gomringer, Tim Gomringer, Aubrey Graham, John Edward Hawkins, Chauncey Hollis, Jacques Webster, Ozan Yildirim &amp; Cydel Young, songwriters (Travis Scott, Drake, Big Hawk &amp; Swae Lee)<\/li>\n<li>WIN<br \/>\nK. Duckworth, A. Hernandez, J. McKinzie, M. Samuels &amp; C. Thompson, songwriters (Jay Rock)<\/li>\n<\/ul>\n<p><strong>25. Best Rap Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new rap recordings.<\/em><\/p>\n<ul>\n<li>INVASION OF PRIVACY<br \/>\nCardi B<\/li>\n<li>SWIMMING<br \/>\nMac Miller<\/li>\n<li>VICTORY LAP<br \/>\nNipsey Hussle<\/li>\n<li><a id=\"8\" name=\"8\"><\/a>DAYTONA<br \/>\nPusha T<\/li>\n<li>ASTROWORLD<br \/>\nTravis Scott<\/li>\n<\/ul>\n<h1>COUNTRY<\/h1>\n<p><strong>26. Best Country Solo Performance<\/strong><br \/>\n<em>For new vocal or instrumental solo country recordings.<\/em><\/p>\n<ul>\n<li>WOULDN&#8217;T IT BE GREAT?<br \/>\nLoretta Lynn<\/li>\n<li>MONA LISAS AND MAD HATTERS<br \/>\nMaren Morris<\/li>\n<li>BUTTERFLIES<br \/>\nKacey Musgraves<\/li>\n<li>MILLIONAIRE<br \/>\nChris Stapleton<\/li>\n<li>PARALLEL LINE<br \/>\nKeith Urban<\/li>\n<\/ul>\n<p><strong>27. Best Country Duo\/Group Performance<\/strong><br \/>\n<em>For new vocal or instrumental duo\/group or collaborative country recordings.<\/em><\/p>\n<ul>\n<li>SHOOT ME STRAIGHT<br \/>\nBrothers Osborne<\/li>\n<li>TEQUILA<br \/>\nDan + Shay<\/li>\n<li>WHEN SOMEONE STOPS LOVING YOU<br \/>\nLittle Big Town<\/li>\n<li>DEAR HATE<br \/>\nMaren Morris Featuring Vince Gill<\/li>\n<li>MEANT TO BE<br \/>\nBebe Rexha &amp; Florida Georgia Line<\/li>\n<\/ul>\n<p><strong>28. Best Country Song<\/strong><br \/>\n<em>A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>BREAK UP IN THE END<br \/>\nJessie Jo Dillon, Chase McGill &amp; Jon Nite, songwriters (Cole Swindell)<\/li>\n<li>DEAR HATE<br \/>\nTom Douglas, David Hodges &amp; Maren Morris, songwriters (Maren Morris Featuring Vince Gill)<\/li>\n<li>I LIVED IT<br \/>\nRhett Akins, Ross Copperman, Ashley Gorley &amp; Ben Hayslip, songwriters (Blake Shelton)<\/li>\n<li>SPACE COWBOY<br \/>\nLuke Laird, Shane McAnally &amp; Kacey Musgraves, songwriters (Kacey Musgraves)<\/li>\n<li>TEQUILA<br \/>\nNicolle Galyon, Jordan Reynolds &amp; Dan Smyers, songwriters (Dan + Shay)<\/li>\n<li>WHEN SOMEONE STOPS LOVING YOU<br \/>\nHillary Lindsey, Chase McGill &amp; Lori McKenna, songwriters (Little Big Town)<\/li>\n<\/ul>\n<p><strong>29. Best Country Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new country recordings.<\/em><\/p>\n<ul>\n<li>UNAPOLOGETICALLY<br \/>\nKelsea Ballerini<\/li>\n<li>PORT SAINT JOE<br \/>\nBrothers Osborne<\/li>\n<li>GIRL GOING NOWHERE<br \/>\nAshley McBryde<\/li>\n<li><a id=\"9\" name=\"9\"><\/a>GOLDEN HOUR<br \/>\nKacey Musgraves<\/li>\n<li>FROM A ROOM: VOLUME 2<br \/>\nChris Stapleton<\/li>\n<\/ul>\n<h1>NEW AGE<\/h1>\n<p><strong>30. Best New Age Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental new age recordings.<\/em><\/p>\n<ul>\n<li>HIRAETH<br \/>\nLisa Gerrard &amp; David Kuckhermann<\/li>\n<li>BELOVED<br \/>\nSnatam Kaur<\/li>\n<li>OPIUM MOON<br \/>\nOpium Moon<\/li>\n<li><a id=\"10\" name=\"10\"><\/a>MOLECULES OF MOTION<br \/>\nSteve Roach<\/li>\n<li>MOKU MALUHIA &#8211; PEACEFUL ISLAND<br \/>\nJim Kimo West<\/li>\n<\/ul>\n<h1>JAZZ<\/h1>\n<p><strong>31. Best Improvised Jazz Solo<\/strong><br \/>\n<em>For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter&#8217;s name is in parenthesis for identification. Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>SOME OF THAT SUNSHINE<br \/>\nRegina Carter, soloist<br \/>\nTrack from: Some Of That Sunshine (Karrin Allyson)<\/li>\n<li>DON&#8217;T FENCE ME IN<br \/>\nJohn Daversa, soloist<br \/>\nTrack from: American Dreamers: Voices Of Hope, Music Of Freedom (John Daversa Big Band Featuring DACA Artists)<\/li>\n<li>WE SEE<br \/>\nFred Hersch, soloists<\/li>\n<li>DE-DAH<br \/>\nBrad Mehldau, soloist<br \/>\nTrack from: Seymour Reads The Constitution! (Brad Mehldau Trio)<\/li>\n<li>CADENAS<br \/>\nMiguel Zen\u00f3n, soloist<br \/>\nTrack from: Yo Soy La Tradici\u00f3n (Miguel Zen\u00f3n Featuring Spektral Quartet)<\/li>\n<\/ul>\n<p><strong>32. Best Jazz Vocal Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal jazz recordings.<\/em><\/p>\n<ul>\n<li>MY MOOD IS YOU<br \/>\nFreddy Cole<\/li>\n<li>THE QUESTIONS<br \/>\nKurt Elling<\/li>\n<li>THE SUBJECT TONIGHT IS LOVE<br \/>\nKate McGarry, Keith Ganz,\u00a0Gary Versace<\/li>\n<li>IF YOU REALLY WANT<br \/>\nRaul Mid\u00f3n With The Metropole Orkest Conducted By Vince Mendoza<\/li>\n<li>THE WINDOW<br \/>\nC\u00e9cile McLorin Salvant<\/li>\n<\/ul>\n<p><strong>33. Best Jazz Instrumental Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new instrumental jazz recordings.<\/em><\/p>\n<ul>\n<li>DIAMOND CUT<br \/>\nTia Fuller<\/li>\n<li>LIVE IN EUROPE<br \/>\nFred Hersch Trio<\/li>\n<li>SEYMOUR READS THE CONSTITUTION!<br \/>\nBrad Mehldau Trio<\/li>\n<li>STILL DREAMING<br \/>\nJoshua Redman, Ron Miles, Scott Colley &amp; Brian Blade<\/li>\n<li>EMANON<br \/>\nThe Wayne Shorter Quartet<\/li>\n<\/ul>\n<p><strong>34. Best Large Jazz Ensemble Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new ensemble jazz recordings.<\/em><\/p>\n<ul>\n<li>ALL ABOUT THAT BASIE<br \/>\nThe Count Basie Orchestra Directed By Scotty Barnhart<\/li>\n<li>AMERICAN DREAMERS: VOICES OF HOPE, MUSIC OF FREEDOM<br \/>\nJohn Daversa Big Band Featuring DACA Artists<\/li>\n<li>PRESENCE<br \/>\nOrrin Evans And The Captain Black Big Band<\/li>\n<li>ALL CAN WORK<br \/>\nJohn Hollenbeck Large Ensemble<\/li>\n<li>BAREFOOT DANCES AND OTHER VISIONS<br \/>\nJim McNeely &amp; The Frankfurt Radio Big Band<\/li>\n<\/ul>\n<p><strong>35. Best Latin Jazz Album<\/strong><br \/>\n<em>For vocal or instrumental albums containing at least 51% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.<\/em><\/p>\n<ul>\n<li>HEART OF BRAZIL<br \/>\nEddie Daniels<\/li>\n<li>BACK TO THE SUNSET<br \/>\nDafnis Prieto Big Band<\/li>\n<li>WEST SIDE STORY REIMAGINED<br \/>\nBobby Sanabria Multiverse Big Band<\/li>\n<li><a id=\"11\" name=\"11\"><\/a>CINQUE<br \/>\nElio Villafranca<\/li>\n<li>YO SOY LA TRADICI\u00d3N<br \/>\nMiguel Zen\u00f3n Featuring Spektral Quartet<\/li>\n<\/ul>\n<h1>GOSPEL\/CONTEMPORARY CHRISTIAN MUSIC<\/h1>\n<p><strong>36. Best Gospel Performance\/Song<\/strong><br \/>\n<em>This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.<\/em><\/p>\n<ul>\n<li>YOU WILL WIN<br \/>\nJekalyn Carr; Allen Carr &amp; Jekalyn Carr, songwriters<\/li>\n<li>WON&#8217;T HE DO IT<br \/>\nKoryn Hawthorne<\/li>\n<li>NEVER ALONE<br \/>\nTori Kelly Featuring Kirk Franklin; Kirk Franklin &amp; Victoria Kelly, songwriters<\/li>\n<li>CYCLES<br \/>\nJonathan McReynolds Featuring DOE; Jonathan McReynolds &amp; Will Reagan, songwriters<\/li>\n<li>A GREAT WORK<br \/>\nBrian Courtney Wilson; Aaron W. Lindsey, Alvin Richardson &amp; Brian Courtney Wilson, songwriters<\/li>\n<\/ul>\n<p><strong>37. Best Contemporary Christian Music Performance\/Song<\/strong><br \/>\n<em>This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian pop, Christian rap\/hip-hop, or Christian rock single or track.<\/em><\/p>\n<ul>\n<li>RECKLESS LOVE<br \/>\nCory Asbury; Cory Asbury, Caleb Culver &amp; Ran Jackson, songwriters<\/li>\n<li>YOU SAY<br \/>\nLauren Daigle; Lauren Daigle, Jason Ingram &amp; Paul Mabury, songwriters<\/li>\n<li>JOY.<br \/>\nfor KING &amp; COUNTRY; Ben Glover, Matt Hales, Stephen Blake Kanicka, Seth Mosley, Joel Smallbone, Luke Smallbone &amp; Tedd Tjornhom, songwriters<\/li>\n<li>GRACE GOT YOU<br \/>\nMercyMe Featuring John Reuben; David Garcia, Ben Glover, MercyMe, Solomon Olds &amp; John Reuben, songwriters<\/li>\n<li>KNOWN<br \/>\nTauren Wells; Ethan Hulse, Jordan Sapp &amp; Tauren Wells, songwriters<\/li>\n<\/ul>\n<p><strong>38. Best Gospel Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of newly recorded, vocal, traditional or contemporary\/R&amp;B gospel music recordings.<\/em><\/p>\n<ul>\n<li>ONE NATION UNDER GOD<br \/>\nJekalyn Carr<\/li>\n<li>HIDING PLACE<br \/>\nTori Kelly<\/li>\n<li>MAKE ROOM<br \/>\nJonathan McReynolds<\/li>\n<li>THE OTHER SIDE<br \/>\nThe Walls Group<\/li>\n<li>A GREAT WORK<br \/>\nBrian Courtney Wilson<\/li>\n<\/ul>\n<p><strong>39. Best Contemporary Christian Music Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap\/hip hop, or rock recordings.<\/em><\/p>\n<ul>\n<li>LOOK UP CHILD<br \/>\nLauren Daigle<\/li>\n<li>HALLELUJAH HERE BELOW<br \/>\nElevation Worship<\/li>\n<li>LIVING WITH A FIRE<br \/>\nJesus Culture<\/li>\n<li>SURROUNDED<br \/>\nMichael W. Smith<\/li>\n<li>SURVIVOR: LIVE FROM HARDING PRISON<br \/>\nZach Williams<\/li>\n<\/ul>\n<p><strong>40. Best Roots Gospel Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of newly recorded, vocal, traditional\/roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.<\/em><\/p>\n<ul>\n<li>UNEXPECTED<br \/>\nJason Crabb<\/li>\n<li>CLEAR SKIES<br \/>\nErnie Haase &amp; Signature Sound<\/li>\n<li>FAVORITES: REVISITED BY REQUEST<br \/>\nThe Isaacs<\/li>\n<li><a id=\"12\" name=\"12\"><\/a>STILL STANDING<br \/>\nThe Martins<\/li>\n<li>LOVE LOVE LOVE<br \/>\nGordon Mote<\/li>\n<\/ul>\n<h1>LATIN<\/h1>\n<p><strong>41. Best Latin Pop Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new Latin pop recordings.<\/em><\/p>\n<ul>\n<li>PROMETO<br \/>\nPablo Alboran<\/li>\n<li>SINCERA<br \/>\nClaudia Brant<\/li>\n<li>MUSAS (UN HOMENAJE AL FOLCLORE LATINOAMERICANO EN MANOS DE LOS MACORINOS), VOL. 2<br \/>\nNatalia Lafourcade<\/li>\n<li>2:00 AM<br \/>\nRaquel Sof\u00eda<\/li>\n<li>VIVES<br \/>\nCarlos Vives<\/li>\n<\/ul>\n<p><strong>42. Best Latin Rock, Urban or Alternative Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new Latin rock, urban or alternative recordings.<\/em><\/p>\n<ul>\n<li>CLAROSCURA<br \/>\nAterciopelados<\/li>\n<li>COASTCITY<br \/>\nCOASTCITY<\/li>\n<li>ENCANTO TROPICAL<br \/>\nMonsieur Perin\u00e9<\/li>\n<li>GOURMET<br \/>\nOrishas<\/li>\n<li>AZTL\u00c1N<br \/>\nZo\u00e9<\/li>\n<\/ul>\n<p><strong>43. Best Regional Mexican Music Album (Including Tejano)<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new regional Mexican (banda, norte\u00f1o, corridos, gruperos, mariachi, ranchera and Tejano) recordings.<\/em><\/p>\n<ul>\n<li>PRIMERO SOY MEXICANA<br \/>\nAngela Aguilar<\/li>\n<li>MITAD Y MITAD<br \/>\nCalibre 50<\/li>\n<li>TOTALMENTE JUAN GABRIEL VOL. II<br \/>\nAida Cuevas<\/li>\n<li>CRUZANDO BORDERS<br \/>\nLos Texmaniacs<\/li>\n<li>LEYENDAS DE MI PUEBLO<br \/>\nMariachi Sol De Mexico De Jose Hernandez<\/li>\n<li>\u00a1M\u00c9XICO POR SIEMPRE!<br \/>\nLuis Miguel<\/li>\n<\/ul>\n<p><strong>44. Best Tropical Latin Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new tropical Latin recordings.<\/em><\/p>\n<ul>\n<li>PA&#8217; MI GENTE<br \/>\nCharlie Aponte<\/li>\n<li>LEGADO<br \/>\nFormell Y Los Van Van<\/li>\n<li>ORQUESTA AKOK\u00c1N<br \/>\nOrquesta Akok\u00e1n<\/li>\n<li><a id=\"13\" name=\"13\"><\/a>PONLE ACTITUD<br \/>\nFelipe Pel\u00e1ez<\/li>\n<li>ANNIVERSARY<br \/>\nSpanish Harlem Orchestra<\/li>\n<\/ul>\n<h1>AMERICAN ROOTS MUSIC<\/h1>\n<p><strong>45. Best American Roots Performance<\/strong><br \/>\n<em>For new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including Americana, bluegrass, blues, folk or regional roots. Award to the artist(s).<\/em><\/p>\n<ul>\n<li>KICK ROCKS<br \/>\nSean Ardoin<\/li>\n<li>SAINT JAMES INFIRMARY BLUES<br \/>\nJon Batiste<\/li>\n<li>THE JOKE<br \/>\nBrandi Carlile<\/li>\n<li>ALL ON MY MIND<br \/>\nAnderson East<\/li>\n<li>LAST MAN STANDING<br \/>\nWillie Nelson<\/li>\n<\/ul>\n<p><strong>46. Best American Roots Song<\/strong><br \/>\n<em>A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>ALL THE TROUBLE<br \/>\nWaylon Payne, Lee Ann Womack &amp; Adam Wright, songwriters (Lee Ann Womack)<\/li>\n<li>BUILD A BRIDGE<br \/>\nJeff Tweedy, songwriter (Mavis Staples)<\/li>\n<li>THE JOKE<br \/>\nBrandi Carlile, Dave Cobb, Phil Hanseroth &amp; Tim Hanseroth, songwriters (Brandi Carlile)<\/li>\n<li>KNOCKIN&#8217; ON YOUR SCREEN DOOR<br \/>\nPat McLaughlin &amp; John Prine, songwriters (John Prine)<\/li>\n<li>SUMMER&#8217;S END<br \/>\nPat McLaughlin &amp; John Prine, songwriters (John Prine)<\/li>\n<\/ul>\n<p><strong>47. Best Americana Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental Americana recordings.<\/em><\/p>\n<ul>\n<li>BY THE WAY, I FORGIVE YOU<br \/>\nBrandi Carlile<\/li>\n<li>THINGS HAVE CHANGED<br \/>\nBettye LaVette<\/li>\n<li>THE TREE OF FORGIVENESS<br \/>\nJohn Prine<\/li>\n<li>THE LONELY, THE LONESOME &amp; THE GONE<br \/>\nLee Ann Womack<\/li>\n<li>ONE DROP OF TRUTH<br \/>\nThe Wood Brothers<\/li>\n<\/ul>\n<p><strong>48. Best Bluegrass Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental bluegrass recordings.<\/em><\/p>\n<ul>\n<li>PORTRAITS IN FIDDLES<br \/>\nMike Barnett<\/li>\n<li>SISTER SADIE II<br \/>\nSister Sadie<\/li>\n<li>RIVERS AND ROADS<br \/>\nSpecial Consensus<\/li>\n<li>THE TRAVELIN&#8217; MCCOURYS<br \/>\nThe Travelin&#8217; McCourys<\/li>\n<li>NORTH OF DESPAIR<br \/>\nWood &amp; Wire<\/li>\n<\/ul>\n<p><strong>49. Best Traditional Blues Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental traditional blues recordings.<\/em><\/p>\n<ul>\n<li>SOMETHING SMELLS FUNKY &#8216;ROUND HERE<br \/>\nElvin Bishop&#8217;s Big Fun Trio<\/li>\n<li>BENTON COUNTY RELIC<br \/>\nCedric Burnside<\/li>\n<li>THE BLUES IS ALIVE AND WELL<br \/>\nBuddy Guy<\/li>\n<li>NO MERCY IN THIS LAND<br \/>\nBen Harper And Charlie Musselwhite<\/li>\n<li>DON&#8217;T YOU FEEL MY LEG (THE NAUGHTY BAWDY BLUES OF BLUE LU BARKER)<br \/>\nMaria Muldaur<\/li>\n<\/ul>\n<p><strong>50. Best Contemporary Blues Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental contemporary blues recordings.<\/em><\/p>\n<ul>\n<li>PLEASE DON&#8217;T BE DEAD<br \/>\nFantastic Negrito<\/li>\n<li>HERE IN BABYLON<br \/>\nTeresa James And The Rhythm Tramps<\/li>\n<li>CRY NO MORE<br \/>\nDanielle Nicole<\/li>\n<li>OUT OF THE BLUES<br \/>\nBoz Scaggs<\/li>\n<li>VICTOR WAINWRIGHT AND THE TRAIN<br \/>\nVictor Wainwright And The Train<\/li>\n<\/ul>\n<p><strong>51. Best Folk Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental folk recordings.<\/em><\/p>\n<ul>\n<li>WHISTLE DOWN THE WIND<br \/>\nJoan Baez<\/li>\n<li>BLACK COWBOYS<br \/>\nDom Flemons<\/li>\n<li>RIFLES &amp; ROSARY BEADS<br \/>\nMary Gauthier<\/li>\n<li>WEED GARDEN<br \/>\nIron &amp; Wine<\/li>\n<li>ALL ASHORE<br \/>\nPunch Brothers<\/li>\n<\/ul>\n<p><strong>52. Best Regional Roots Music Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental regional roots music recordings.<\/em><\/p>\n<ul>\n<li>KREOLE ROCK AND SOUL<br \/>\nSean Ardoin<\/li>\n<li>SPYBOY<br \/>\nCha Wa<\/li>\n<li>ALOHA FROM NA HOA<br \/>\nNa Hoa<\/li>\n<li><a id=\"14\" name=\"14\"><\/a>NO &#8216;ANE&#8217;I<br \/>\nKalani Pe&#8217;a<\/li>\n<li>MEWASINSATIONAL &#8211; CREE ROUND DANCE SONGS<br \/>\nYoung Spirit<\/li>\n<\/ul>\n<h1>REGGAE<\/h1>\n<p><strong>53. Best Reggae Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new reggae recordings.<\/em><\/p>\n<ul>\n<li>AS THE WORLD TURNS<br \/>\nBlack Uhuru<\/li>\n<li>REGGAE FOREVER<br \/>\nEtana<\/li>\n<li>REBELLION RISES<br \/>\nZiggy Marley<\/li>\n<li><a id=\"15\" name=\"15\"><\/a>A MATTER OF TIME<br \/>\nProtoje<\/li>\n<li>44\/876<br \/>\nSting &amp; Shaggy<\/li>\n<\/ul>\n<h1>WORLD MUSIC<\/h1>\n<p><strong>54. Best World Music Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new vocal or instrumental World Music recordings.<\/em><\/p>\n<ul>\n<li>DERAN<br \/>\nBombino<\/li>\n<li>FENFO<br \/>\nFatoumata Diawara<\/li>\n<li>BLACK TIMES<br \/>\nSeun Kuti &amp; Egypt 80<\/li>\n<li><a id=\"16\" name=\"16\"><\/a>FREEDOM<br \/>\nSoweto Gospel Choir<\/li>\n<li>THE LOST SONGS OF WORLD WAR II<br \/>\nYiddish Glory<\/li>\n<\/ul>\n<h1>CHILDREN&#8217;S<\/h1>\n<p><strong>55. Best Children&#8217;s Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new musical or spoken word recordings that are created and intended specifically for children.<\/em><\/p>\n<ul>\n<li>ALL THE SOUNDS<br \/>\nLucy Kalantari &amp; The Jazz Cats<\/li>\n<li>BUILDING BLOCKS<br \/>\nTim Kubart<\/li>\n<li>FALU&#8217;S BAZAAR<br \/>\nFalu<\/li>\n<li><a id=\"17\" name=\"17\"><\/a>GIANTS OF SCIENCE<br \/>\nThe Pop Ups<\/li>\n<li>THE NATION OF IMAGINE<br \/>\nFrank &amp; Deane<\/li>\n<\/ul>\n<h1>SPOKEN WORD<\/h1>\n<p><strong>56. Best Spoken Word Album (Includes Poetry, Audio Books &amp; Storytelling)<\/strong><\/p>\n<ul>\n<li>ACCESSORY TO WAR (NEIL DEGRASSE TYSON &amp; AVIS LANG)<br \/>\nCourtney B. Vance<\/li>\n<li>CALYPSO<br \/>\nDavid Sedaris<\/li>\n<li>CREATIVE QUEST<br \/>\nQuestlove<\/li>\n<li><a id=\"18\" name=\"18\"><\/a>FAITH &#8211; A JOURNEY FOR ALL<br \/>\nJimmy Carter<\/li>\n<li>THE LAST BLACK UNICORN<br \/>\nTiffany Haddish<\/li>\n<\/ul>\n<h1>COMEDY<\/h1>\n<p><strong>57. Best Comedy Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new recordings.<\/em><\/p>\n<ul>\n<li>ANNIHILATION<br \/>\nPatton Oswalt<\/li>\n<li>EQUANIMITY &amp; THE BIRD REVELATION<br \/>\nDave Chappelle<\/li>\n<li>NOBLE APE<br \/>\nJim Gaffigan<\/li>\n<li><a id=\"19\" name=\"19\"><\/a>STANDUP FOR DRUMMERS<br \/>\nFred Armisen<\/li>\n<li>TAMBORINE<br \/>\nChris Rock<\/li>\n<\/ul>\n<h1>MUSICAL THEATER<\/h1>\n<p><strong>58. Best Musical Theater Album<\/strong><br \/>\n<em>For albums containing at least 51% playing time of new recordings. Award to the principle vocalist(s) and the album producer(s) of 51% or more playing time of the album. The lyricist(s) and composer(s) of a new score are eligible for an Award if they have written and\/or composed a new score which comprises 51% or more playing time of the album.<\/em><\/p>\n<ul>\n<li>THE BAND&#8217;S VISIT<br \/>\nEtai Benson, Adam Kantor, Katrina Lenk &amp; Ari&#8217;el Stachel, principal soloists; Dean Sharenow &amp; David Yazbek, producers; David Yazbek, composer &amp; lyricist (Original Broadway Cast)<\/li>\n<li>CAROUSEL<br \/>\nRen\u00e9e Fleming, Alexander Gemignani, Joshua Henry, Lindsay Mendez &amp; Jessie Mueller, principal soloists; Steven Epstein, producer (Richard Rodgers, composer; Oscar Hammerstein II, lyricist) (2018 Broadway Cast)<\/li>\n<li>JESUS CHRIST SUPERSTAR LIVE IN CONCERT<br \/>\nSara Bareilles, Alice Cooper, Ben Daniels, Brandon Victor Dixon, Erik Gr\u00f6nwall, Jin Ha, John Legend, Norm Lewis &amp; Jason Tam, principal soloists; Andrew Lloyd Webber &amp; Harvey Mason, Jr., producers (Andrew Lloyd-Webber, composer; Tim Rice, lyricist) (Original Television Cast)<\/li>\n<li><a id=\"20\" name=\"20\"><\/a>MY FAIR LADY<br \/>\nLauren Ambrose, Norbert Leo Butz &amp; Harry Hadden-Paton, principal soloists; Van Dean, David Lai &amp; Ted Sperling, producers (Frederick Loewe, composer; Alan Jay Lerner, lyricist) (2018 Broadway Cast)<\/li>\n<li>ONCE ON THIS ISLAND<br \/>\nPhillip Boykin, Merle Dandridge, Quentin Earl Darrington, Hailey Kilgore, Kenita R. Miller, Alex Newell, Isaac Powell &amp; Lea Salonga, principal soloists; Lynn Ahrens, Stephen Flaherty &amp; Elliot Scheiner, producers (Stephen Flaherty, composer; Lynn Ahrens, lyricist) (New Broadway Cast)<\/li>\n<\/ul>\n<h1>MUSIC FOR VISUAL MEDIA<\/h1>\n<p><strong>59. Best Compilation Soundtrack For Visual Media<\/strong><br \/>\n<em>Award to the artist(s) and\/or \u2018in studio&#8217; producer(s) of a majority of the tracks on the album. In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).<\/em><\/p>\n<ul>\n<li>CALL ME BY YOUR NAME<br \/>\n(Various Artists)<br \/>\nLuca Guadagnino, compilation producer; Robin Urdang, music supervisor<\/li>\n<li>DEADPOOL 2<br \/>\n(Various Artists)<br \/>\nDavid Leitch &amp; Ryan Reynolds, compilation producers; John Houlihan, music supervisor<\/li>\n<li>THE GREATEST SHOWMAN<br \/>\nHugh Jackman (&amp; Various Artists)<br \/>\nAlex Lacamoire, Benj Pasek, Justin Paul &amp; Greg Wells, compilation producers<\/li>\n<li>LADY BIRD<br \/>\n(Various Artists)<br \/>\nTimothy J. Smith, compilation producer; Michael Hill &amp; Brian Ross, music supervisors<\/li>\n<li>STRANGER THINGS<br \/>\n(Various Artists)<br \/>\nMatt Duffer, Ross Duffer &amp; Timothy J. Smith, compilation producers;\u00a0Nora Felder, music supervisor<\/li>\n<\/ul>\n<p><strong>60. Best Score Soundtrack For Visual Media<\/strong><br \/>\n<em>Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, video games or other visual media.<\/em><\/p>\n<ul>\n<li>BLACK PANTHER<br \/>\nLudwig G\u00f6ransson, composer<\/li>\n<li>BLADE RUNNER 2049<br \/>\nBenjamin Wallfisch &amp; Hans Zimmer, composers<\/li>\n<li>COCO<br \/>\nMichael Giacchino, composer<\/li>\n<li>THE SHAPE OF WATER<br \/>\nAlexandre Desplat, composer<\/li>\n<li>STAR WARS: THE LAST JEDI<br \/>\nJohn Williams, composer<\/li>\n<\/ul>\n<p><strong>61. Best Song Written For Visual Media<\/strong><br \/>\n<em>A Songwriter(s) award. For a song (melody &amp; lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>ALL THE STARS<br \/>\nKendrick Duckworth, Sol\u00e1na Rowe, Alexander William Shuckburgh, Mark Anthony Spears &amp; Anthony Tiffith, songwriters (Kendrick Lamar &amp; SZA)<br \/>\nTrack from: Black Panther<\/li>\n<li>MYSTERY OF LOVE<br \/>\nSufjan Stevens, songwriter (Sufjan Stevens)<br \/>\nTrack from: Call Me By Your Name<\/li>\n<li>REMEMBER ME<br \/>\nKristen Anderson-Lopez &amp; Robert Lopez, songwriters (Miguel Featuring Natalia Lafourcade)<br \/>\nTrack from: Coco<\/li>\n<li><a id=\"21\" name=\"21\"><\/a>SHALLOW<br \/>\nLady Gaga, Mark Ronson, Anthony Rossomando &amp; Andrew Wyatt, songwriters (Lady Gaga &amp; Bradley Cooper)<br \/>\nTrack from: A Star Is Born<\/li>\n<li>THIS IS ME<br \/>\nBenj Pasek &amp; Justin Paul, songwriters (Keala Settle &amp; The Greatest Showman Ensemble)<br \/>\nTrack from: The Greatest Showman<\/li>\n<\/ul>\n<h1>COMPOSING\/ARRANGING<\/h1>\n<p><strong>62. Best Instrumental Composition<\/strong><br \/>\n<em>A Composer&#8217;s Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>BLUT UND BODEN (BLOOD AND SOIL)<br \/>\nTerence Blanchard, composer (Terence Blanchard)<\/li>\n<li>CHRYSALIS<br \/>\nJeremy Kittel, composer (Kittel &amp; Co.)<\/li>\n<li>INFINITY WAR<br \/>\nAlan Silverstri, composer (Alan Silvestri)<\/li>\n<li>MINE MISSION<br \/>\nJohn Powell &amp; John Williams, composers (John Powell &amp; John Williams)<\/li>\n<li>THE SHAPE OF WATER<br \/>\nAlexandre Desplat, composer (Alexandre Desplat)<\/li>\n<\/ul>\n<p><strong>63. Best Arrangement, Instrumental or A Cappella<\/strong><br \/>\n<em>An Arranger&#8217;s Award. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>BATMAN THEME (TV)<br \/>\nRandy Waldman &amp; Justin Wilson, arrangers (Randy Waldman Featuring Wynton Marsalis)<\/li>\n<li>CHANGE THE WORLD<br \/>\nMark Kibble, arranger (Take 6)<\/li>\n<li>MADRID FINALE<br \/>\nJohn Powell, arranger (John Powell)<\/li>\n<li>THE SHAPE OF WATER<br \/>\nAlexandre Desplat, arranger (Alexandre Desplat)<\/li>\n<li>STARS AND STRIPES FOREVER<br \/>\nJohn Daversa, arranger (John Daversa Big Band Featuring DACA Artists)<\/li>\n<\/ul>\n<p><strong>64. Best Arrangement, Instruments and Vocals<\/strong><br \/>\n<em>An Arranger&#8217;s Award. (Artist names appear in parentheses.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>IT WAS A VERY GOOD YEAR<br \/>\nMatt Rollings &amp; Kristin Wilkinson, arrangers (Willie Nelson)<\/li>\n<li>JOLENE<br \/>\nDan Pugach &amp; Nicole Zuraitis, arrangers (Dan Pugach)<\/li>\n<li>MONA LISA<br \/>\nVince Mendoza, arranger (Gregory Porter)<\/li>\n<li><a id=\"22\" name=\"22\"><\/a>NI\u00d1A<br \/>\nGonzalo Grau, arranger (Magos Herrera &amp; Brooklyn Rider)<\/li>\n<li>SPIDERMAN THEME<br \/>\nMark Kibble, Randy Waldman &amp; Justin Wilson, arrangers (Randy Waldman Featuring Take 6 &amp; Chris Potter)<\/li>\n<\/ul>\n<h1>PACKAGE<\/h1>\n<p><strong>65. Best Recording Package<\/strong><\/p>\n<ul>\n<li>BE THE COWBOY<br \/>\nMary Banas, art director (Mitski)<\/li>\n<li>LOVE YOURSELF: TEAR<br \/>\nDoohee Lee, art director (BTS)<\/li>\n<li>MASSEDUCTION<br \/>\nWillo Perron, art director (St. Vincent)<\/li>\n<li>THE OFFERING<br \/>\nQing-Yang Xiao, art director (The Chairman)<\/li>\n<li>WELL KEPT THING<br \/>\nAdam Moore, art director (Foxhole)<\/li>\n<\/ul>\n<p><strong>66. Best Boxed Or Special Limited Edition Package<\/strong><\/p>\n<ul>\n<li>APPETITE FOR DESTRUCTION (LOCKED N&#8217; LOADED BOX)<br \/>\nArian Buhler, Charles Dooher, Jeff Fura, Scott Sandler &amp; Matt Taylor, art directors (Guns N&#8217; Roses)<\/li>\n<li>I&#8217;LL BE YOUR GIRL<br \/>\nCarson Ellis, Jeri Heiden &amp; Glen Nakasako, art directors (The Decemberists)<\/li>\n<li>PACIFIC NORTHWEST &#8217;73-74&#8242;: THE COMPLETE RECORDINGS<br \/>\nLisa Glines, Doran Tyson &amp; Roy Henry Vickers, art directors (Grateful Dead)<\/li>\n<li><a id=\"23\" name=\"23\"><\/a>SQUEEZE BOX: THE COMPLETE WORKS OF &#8220;WEIRD AL&#8221; YANKOVIC<br \/>\nMeghan Foley, Annie Stoll &amp; Al Yankovic, art directors (&#8220;Weird Al&#8221; Yankovic)<\/li>\n<li>TOO MANY BAD HABITS<br \/>\nSarah Dodds &amp; Shauna Dodds, art directors (Johnny Nicholas)<\/li>\n<\/ul>\n<h1>NOTES<\/h1>\n<p><strong>67. Best Album Notes<\/strong><\/p>\n<ul>\n<li>ALPINE DREAMING: THE HELVETIA RECORDS STORY, 1920-1924<br \/>\nJames P. Leary, album notes writer (Various Artists)<\/li>\n<li>4 BANJO SONGS, 1891-1897: FOUNDATIONAL RECORDINGS OF AMERICA&#8217;S ICONIC INSTRUMENT<br \/>\nRichard Martin &amp; Ted Olson, album notes writers (Charles A. Asbury)<\/li>\n<li>THE 1960 TIME SESSIONS<br \/>\nBen Ratliff, album notes writer (Sonny Clark Trio)<\/li>\n<li>THE PRODUCT OF OUR SOULS: THE SOUND AND SWAY OF JAMES REESE EUROPE&#8217;S SOCIETY ORCHESTRA<br \/>\nDavid Gilbert, album notes writer (Various Artists)<\/li>\n<li><a id=\"24\" name=\"24\"><\/a>TROUBLE NO MORE: THE BOOTLEG SERIES VOL. 13 \/ 1979-1981 (DELUXE EDITION)<br \/>\nAmanda Petrusich, album notes writer (Bob Dylan)<\/li>\n<li>VOICES OF MISSISSIPPI: ARTISTS AND MUSICIANS DOCUMENTED BY WILLIAM FERRIS<br \/>\nDavid Evans, album notes writer (Various Artists)<\/li>\n<\/ul>\n<h1>HISTORICAL<\/h1>\n<p><strong>68. Best Historical Album<\/strong><\/p>\n<ul>\n<li>ANY OTHER WAY<br \/>\nRob Bowman, Douglas Mcgowan, Rob Sevier &amp; Ken Shipley, compilation producers; Jeff Lipton &amp; Maria Rice, mastering engineers (Jackie Shane)<\/li>\n<li>AT THE LOUISIANA HAYRIDE TONIGHT&#8230;<br \/>\nMartin Hawkins, compilation producer; Christian Zwarg, mastering engineer (Various Artists)<\/li>\n<li>BATTLEGROUND KOREA: SONGS AND SOUNDS OF AMERICA&#8217;S FORGOTTEN WAR<br \/>\nHugo Keesing, compilation producer; Christian Zwarg, mastering engineer (Various Artists)<\/li>\n<li><a id=\"25\" name=\"25\"><\/a>A RHAPSODY IN BLUE &#8211; THE EXTRAORDINARY LIFE OF OSCAR LEVANT<br \/>\nRobert Russ, compilation producer; Andreas K. Meyer &amp; Rebekah Wineman, mastering engineers (Oscar Levant)<\/li>\n<li>VOICES OF MISSISSIPPI: ARTISTS AND MUSICIANS DOCUMENTED BY WILLIAM FERRIS<br \/>\nWilliam Ferris, April Ledbetter &amp; Steven Lance Ledbetter, compilation producers; Michael Graves, mastering engineer (Various Artists)<\/li>\n<\/ul>\n<h1>PRODUCTION, NON-CLASSICAL<\/h1>\n<p><strong>69. Best Engineered Album, Non-Classical<\/strong><br \/>\n<em>An Engineer&#8217;s Award. (Artists names appear in parentheses.)<\/em><\/p>\n<ul>\n<li>ALL THE THINGS THAT I DID AND ALL THE THINGS THAT I DIDN&#8217;T DO<br \/>\nRyan Freeland &amp; Kenneth Pattengale, engineers; Kim Rosen, mastering engineer (The Milk Carton Kids)<\/li>\n<li>COLORS<br \/>\nJulian Burg, Serban Ghenea, David &#8220;Elevator&#8221; Greenbaum, John Hanes, Beck Hansen, Greg Kurstin, Florian Lagatta, Cole M.G.N., Alex Pasco, Jesse Shatkin, Darrell Thorp &amp; Cassidy Turbin, engineers; Chris Bellman, Tom Coyne, Emily Lazar &amp; Randy Merrill, mastering engineers (Beck)<\/li>\n<li>EARTHTONES<br \/>\nRobbie Lackritz, engineer; Philip Shaw Bova, mastering engineer (Bahamas)<\/li>\n<li>HEAD OVER HEELS<br \/>\nNathaniel Alford, Jason Evigan, Chris Galland, Tom Gardner, Patrick &#8220;P-Thugg&#8221; Gemayel, Serban Ghenea, John Hanes, Tony Hoffer, Derek Keota, Ian Kirkpatrick, David Macklovitch, Amber Mark, Manny Marroquin, Vaughn Oliver, Chris &#8220;TEK&#8221; O&#8217;Ryan, Morgan Taylor Reid &amp; Gian Stone, engineers; Chris Gehringer &amp; Michelle Mancini, mastering engineers (Chromeo)<\/li>\n<li>VOICENOTES<br \/>\nManny Marroquin &amp; Charlie Puth, engineers; Dave Kutch, mastering engineer (Charlie Puth)<\/li>\n<\/ul>\n<p><strong>70. Producer Of The Year, Non-Classical<\/strong><br \/>\n<em>A Producer&#8217;s Award. (Artists names appear in parentheses.)<\/em><\/p>\n<ul>\n<li>BOI-1DA<\/li>\n<\/ul>\n<p><small>\u00a0\u00a0\u2022 Be Careful (Cardi B) (T)<br \/>\n\u2022 Diplomatic Immunity (Drake) (S)<br \/>\n\u2022 Friends (The Carters) (T)<br \/>\n\u2022 God&#8217;s Plan (Drake) (S)<br \/>\n\u2022 Heard About Us (The Carters) (T)<br \/>\n\u2022 Lucky You (Eminem Featuring Joyner Lucas) (T)<br \/>\n\u2022 Mob Ties (Drake) (T)<br \/>\n\u2022 No Limit (G-Eazy Featuring A$AP Rocky &amp; Cardi B) (S)<\/small><\/p>\n<ul>\n<li>LARRY KLEIN<\/li>\n<\/ul>\n<p><small>\u00a0\u00a0\u2022 All These Things (Thomas Dybdahl) (S)<br \/>\n\u2022 Anthem (Madeleine Peyroux) (A)<br \/>\n\u2022 The Book Of Longing (Luciana Souza) (A)<br \/>\n\u2022 Can I Have It All (Thomas Dybdahl) (S)<br \/>\n\u2022 Junk (Hailey Tuck) (A)<br \/>\n\u2022 Look At What We&#8217;ve Done (Thomas Dybdahl) (S)<br \/>\n\u2022 Meaning To Tell Ya (Molly Johnson) (A)<\/small><\/p>\n<ul>\n<li>LINDA PERRY<\/li>\n<\/ul>\n<p><small>\u00a0\u00a0\u2022 Harder Better Faster Stronger (Willa Amai) (S)<br \/>\n\u2022 Served Like A Girl (Music From And Inspired By The Documentary Film) (Various Artists) (A)<br \/>\n\u2022 28 Days In The Valley (Dorothy) (A)<\/small><\/p>\n<ul>\n<li>KANYE WEST<\/li>\n<\/ul>\n<p><small>\u00a0\u00a0\u2022 Daytona (Pusha T) (A)<br \/>\n\u2022 Kids See Ghosts (Kids See Ghosts) (A)<br \/>\n\u2022 K.T.S.E. (Teyana Taylor) (A)<br \/>\n\u2022 Nasir (Nas) (A)<br \/>\n\u2022 Ye (Kanye West) (A)<\/small><\/p>\n<ul>\n<li>PHARRELL WILLIAMS<\/li>\n<\/ul>\n<p><small>\u00a0\u00a0\u2022 Apes*** (The Carters) (T)<br \/>\n\u2022 Man Of The Woods (Justin Timberlake) (A)<br \/>\n\u2022 No One Ever Really Dies (N.E.R.D) (A)<br \/>\n\u2022 Stir Fry (Migos) (T)<br \/>\n\u2022 Sweetener (Ariana Grande) (A)<\/small><\/p>\n<p><strong>71. Best Remixed Recording<\/strong><br \/>\n<em>A Remixer&#8217;s Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.<\/em><\/p>\n<ul>\n<li>AUDIO (CID REMIX)<br \/>\nCID, remixer (LSD)<\/li>\n<li>HOW LONG (EDX&#8217;S DUBAI SKYLINE REMIX)<br \/>\nMaurizio Colella &amp; Christian Hirt, remixers (Charlie Puth)<\/li>\n<li>ONLY ROAD (COSMIC GATE REMIX)<br \/>\nStefan Bossems &amp; Claus Terhoeven, remixers (Gabriel &amp; Dresden Featuring Sub Teal)<\/li>\n<li><a id=\"26\" name=\"26\"><\/a>STARGAZING (KASKADE REMIX)<br \/>\nKaskade, remixer (Kygo Featuring Justin Jesso)<\/li>\n<li>WALKING AWAY (MURA MASA REMIX)<br \/>\nAlex Crossan, remixer (Haim)<\/li>\n<\/ul>\n<h1>PRODUCTION, IMMERSIVE AUDIO<\/h1>\n<p><strong>72. Best Immersive Audio Album<\/strong><br \/>\n<em>For vocal or instrumental albums in any genre. Must be commercially released on DVD-Audio, DVD-Video, SACD, Blu-Ray, or burned download-only\/streaming-only copies and must provide a new surround mix of four or more channels. Award to the surround mix engineer, surround producer (if any) and surround mastering engineer (if any).<\/em><\/p>\n<ul>\n<li>EYE IN THE SKY &#8211; 35TH ANNIVERSARY EDITION<br \/>\nAlan Parsons, surround mix engineer; Dave Donnelly, PJ Olsson &amp; Alan Parsons, surround mastering engineers; Alan Parsons, surround producer (The Alan Parsons Project)<\/li>\n<li>FOLKETONER<br \/>\nMorten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Anne Karin Sundal-Ask &amp; Det Norske Jentekor)<\/li>\n<li>SEVEN WORDS FROM THE CROSS<br \/>\nDaniel Shores, surround mix engineer; Daniel Shores, surround mastering engineer; Dan Merceruio, surround producer (Matthew Guard &amp; Skylark)<\/li>\n<li><a id=\"27\" name=\"27\"><\/a>SOMMERRO: UJAMAA &amp; THE ICEBERG<br \/>\nMorten Lindberg, surround mix engineer; Morten Lindberg, surround mastering engineer; Morten Lindberg, surround producer (Ingar Heine Bergby, Trondheim Symphony Orchestra &amp; Choir)<\/li>\n<li>SYMBOL<br \/>\nPrashant Mistry &amp; Ronald Prent, surround mix engineers; Darcy Proper, surround mastering engineer; Prashant Mistry &amp; Ronald Prent, surround producers (Engine-Earz Experiment)<\/li>\n<\/ul>\n<h1>PRODUCTION, CLASSICAL<\/h1>\n<p><strong>73. Best Engineered Album, Classical<\/strong><br \/>\n<em>An Engineer&#8217;s Award. (Artist names appear in parentheses.)<\/em><\/p>\n<ul>\n<li>BATES: THE (R)EVOLUTION OF STEVE JOBS<br \/>\nMark Donahue &amp; Dirk Sobotka, engineers; Mark Donahue, mastering engineer (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edward\u00a0Parks, Jessica E. Jones &amp; Santa Fe Opera Orchestra)<\/li>\n<li>BEETHOVEN: SYMPHONY NO. 3; STRAUSS: HORN CONCERTO NO. 1<br \/>\nMark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck &amp; Pittsburgh Symphony Orchestra)<\/li>\n<li>JOHN WILLIAMS AT THE MOVIES<br \/>\nKeith O. Johnson &amp; Sean Royce Martin, engineers; Keith O. Johnson, mastering engineer (Jerry Junkin &amp; Dallas Winds)<\/li>\n<li>LIQUID MELANCHOLY &#8211; CLARINET MUSIC OF JAMES M. STEPHENSON<br \/>\nBill Maylone &amp; Mary Mazurek, engineers; Bill Maylone, mastering engineer (John Bruce Yeh)<\/li>\n<li>SHOSTAKOVICH: SYMPHONIES NOS. 4 &amp; 11<br \/>\nShawn Murphy &amp; Nick Squire, engineers; Tim Martyn, mastering engineer (Andris Nelsons &amp; Boston Symphony Orchestra)<\/li>\n<li>VISIONS AND VARIATIONS<br \/>\nTom Caulfield, engineer; Jesse Lewis, mastering engineer (A Far Cry)<\/li>\n<\/ul>\n<p><strong>74. Producer Of The Year, Classical<\/strong><br \/>\n<em>A Producer&#8217;s Award. (Artist names appear in parentheses.)<\/em><\/p>\n<ul>\n<li>BLANTON ALSPAUGH<\/li>\n<\/ul>\n<p><small>\u00a0\u00a0\u2022 Arnesen: Infinity &#8211; Choral Works (Joel Rinsema &amp; Kantorei)<br \/>\n\u2022 Aspects Of America (Carlos Kalmar &amp; Oregon Symphony)<br \/>\n\u2022 Chesnokov: Teach Me Thy Statutes (Vladimir Gorbik &amp; PaTRAM Institute Male Choir)<br \/>\n\u2022 Gordon, R.: The House Without A Christmas Tree (Bradley Moore, Elisabeth Leone, Maximillian Macias, Megan Mikailovna Samarin, Patricia Schuman, Lauren Snouffer, Heidi Stober, Daniel Belcher, Houston Gran Opera Juvenile Chorus &amp; Houston Grand Opera Orchestra)<br \/>\n\u2022 Haydn: The Creation (Andr\u00e9s Orozco-Estrada, Betsy Cook Weber, Houston Symphony &amp; Houston Symphony Chorus)<br \/>\n\u2022 Heggie: Great Scott (Patrick Summers, Manuel Palazzo, Mark Hancock, Michael Mayes, Rodell Rosel, Kevin Burdette, Anthony Roth Costanzo, Nathan Gunn, Frederica von Stade, Ailyn P\u00e9rez, Joyce DiDonato, Dallas Opera Chorus &amp; Orchestra)<br \/>\n\u2022 Music Of Faur\u00e9, Buide &amp; Zemlinsky (Trio S\u00e9l\u00e9n\u00e9)<br \/>\n\u2022 Paterson: Three Way &#8211; A Trio Of One-Act Operas (Dean Williamson, Daniele Pastin, Courtney Ruckman, Eliza Bonet, Melisa Bonetti, Jordan Rutter, Samuel Levine, Wes Mason, Matthew Trevi\u00f1o &amp; Nashville Opera Orchestra)<br \/>\n\u2022 Vaughan Williams: Piano Concerto; Oboe Concerto; Serenade To Music; Flos Campi (Peter Oundjian &amp; Toronto Symphony Orchestra)<\/small><\/p>\n<ul>\n<li>DAVID FROST<\/li>\n<\/ul>\n<p><small>\u00a0\u00a0\u2022 Beethoven: Piano Sonatas, Volume 7 (Jonathan Biss)<br \/>\n\u2022 Mirror In Mirror (Anne Akiko Meyers, Kristjan J\u00e4rvi &amp; Philharmonia Orchestra)<br \/>\n\u2022 Mozart: Idomeneo (James Levine, Alan Opie, Matthew Polenzani, Alice Coote, Nadine Sierra, Elza van den Heever, The Metropolitan Opera Orchestra &amp; Chorus)<br \/>\n\u2022 Presentiment (Orion Weiss)<br \/>\n\u2022 Strauss, R.: Der Rosenkavalier (Sebastian Weigle, Ren\u00e9e Fleming, El\u012bna Garan\u010da, Erin Morley, G\u00fcnther Groissb\u00f6ck, Metropolitan Opera Orchestra &amp; Chorus)<\/small><\/p>\n<ul>\n<li>ELIZABETH OSTROW<\/li>\n<\/ul>\n<p><small>\u00a0\u00a0\u2022 Bates: The (R)evolution Of Steve Jobs (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edward\u00a0Parks, Jessica E. Jones &amp; Santa Fe Opera Orchestra)<br \/>\n\u2022 The Road Home (Joshua Habermann &amp; Santa Fe Desert Chorale)<\/small><\/p>\n<ul>\n<li>JUDITH SHERMAN<\/li>\n<\/ul>\n<p><small>\u00a0\u00a0\u2022 Beethoven Unbound (Ll\u0177r Williams)<br \/>\n\u2022 Black Manhattan Volume 3 (Rick Benjamin &amp; Paragon Ragtime Orchestra)<br \/>\n\u2022 Bolcom: Piano Music (Various Artists)<br \/>\n\u2022 Del Tredici: March To Tonality (Mark Peskanov &amp; Various Artists)<br \/>\n\u2022 Love Comes In At The Eye (Timothy Jones, Stephanie Sant&#8217;Ambrogio, Jeffrey Sykes, Anthony Ross, Carol Cook, Beth Rapier &amp; Stephanie Jutt)<br \/>\n\u2022 Meltzer: Variations On A Summer Day &amp; Piano Quartet (Abigail Fischer, Jayce Ogren &amp; Sequitur)<br \/>\n\u2022 Mendelssohn: Complete Works For Cello And Piano (Marcy Rosen &amp; Lydia Artymiw)<br \/>\n\u2022 New Music For Violin And Piano (Julie Rosenfeld &amp; Peter Miyamoto)<br \/>\n\u2022 Reich: Pulse\/Quartet (Colin Currie Group &amp; International Contemporary Ensemble)<\/small><\/p>\n<ul>\n<li><a id=\"28\" name=\"28\"><\/a>DIRK SOBOTKA<\/li>\n<\/ul>\n<p><small>\u00a0\u00a0\u2022 Beethoven: Symphony No. 3; Strauss: Horn Concerto No. 1 (Manfred Honeck &amp; Pittsburgh Symphony Orchestra)<br \/>\n\u2022 Lippencott: Frontier Symphony (Jeff Lippencott &amp; Ligonier Festival Orchestra)<br \/>\n\u2022 Mahler: Symphony No. 8 (Thierry Fischer, Mormon Tabernacle Choir &amp; Utah Symphony)<br \/>\n\u2022 Music Of The Americas (Andr\u00e9s Orozco-Estrada &amp; Houston Symphony)<\/small><\/p>\n<h1>CLASSICAL<\/h1>\n<p><strong>75. Best Orchestral Performance<\/strong><br \/>\n<em>Award to the Conductor and to the Orchestra.<\/em><\/p>\n<ul>\n<li>BEETHOVEN: SYMPHONY NO. 3; STRAUSS: HORN CONCERTO NO. 1<br \/>\nManfred Honeck, conductor (Pittsburgh Symphony Orchestra)<\/li>\n<li>NIELSEN: SYMPHONY NO. 3 &amp; SYMPHONY NO. 4<br \/>\nThomas Dausgaard, conductor (Seattle Symphony)<\/li>\n<li>RUGGLES, STUCKY &amp; HARBISON: ORCHESTRAL WORKS<br \/>\nDavid Alan Miller, conductor (National Orchestral Institute Philharmonic)<\/li>\n<li>SCHUMANN: SYMPHONIES NOS. 1-4<br \/>\nMichael Tilson Thomas, conductor (San Francisco Symphony)<\/li>\n<li>SHOSTAKOVICH: SYMPHONIES NOS. 4 &amp; 11<br \/>\nAndris Nelsons, conductor (Boston Symphony Orchestra)<\/li>\n<\/ul>\n<p><strong>76. Best Opera Recording<\/strong><br \/>\n<em>Award to the Conductor, Album Producer(s) and Principal Soloists.<\/em><\/p>\n<ul>\n<li>ADAMS: DOCTOR ATOMIC<br \/>\nJohn Adams, conductor; Aubrey Allicock, Julia Bullock, Gerald Finley &amp; Brindley Sherratt; Friedemann Engelbrecht, producer (BBC Symphony Orchestra; BBC Singers)<\/li>\n<li>BATES: THE (R)EVOLUTION OF STEVE JOBS<br \/>\nMichael Christie, conductor; Sasha Cooke, Jessica E. Jones, Edward\u00a0Parks, Garrett Sorenson &amp; Wei Wu; Elizabeth Ostrow, producer (The Santa Fe Opera Orchestra)<\/li>\n<li>LULLY: ALCESTE<br \/>\nChristophe Rousset, conductor; Edwin Crossley-Mercer, Emiliano Gonzalez Toro &amp; Judith Van Wanroij; Maximilien Ciup, producer (Les Talens Lyriques; Choeur De Chambre De Namur)<\/li>\n<li>STRAUSS, R.: DER ROSENKAVALIER<br \/>\nSebastian Weigle, conductor; Ren\u00e9e Fleming, El\u012bna Garan\u010da, G\u00fcnther Groissb\u00f6ck &amp; Erin Morley; David Frost, producer (Metropolitan Opera Orchestra; Metropolitan Opera Chorus)<\/li>\n<li>VERDI: RIGOLETTO<br \/>\nConstantine Orbelian, conductor; Francesco Demuro, Dmitri Hvorostovsky &amp; Nadine Sierra; Vilius Keras &amp; Aleksandra Keriene, producers (Kaunas City Symphony Orchestra; Men Of The Kaunas State Choir)<\/li>\n<\/ul>\n<p><strong>77. Best Choral Performance<\/strong><br \/>\n<em>Award to the Conductor, and to the Choral Director and\/or Chorus Master where applicable and to the Choral Organization\/Ensemble.<\/em><\/p>\n<ul>\n<li>CHESNOKOV: TEACH ME THY STATUTES<br \/>\nVladimir Gorbik, conductor (Mikhail Davydov &amp; Vladimir Krasov; PaTRAM Institute Male Choir)<\/li>\n<li>KASTALSKY: MEMORY ETERNAL<br \/>\nSteven Fox, conductor (The Clarion Choir)<\/li>\n<li>MCLOSKEY: ZEALOT CANTICLES<br \/>\nDonald Nally, conductor (Doris Hall-Gulati, Rebecca Harris, Arlen Hlusko, Lorenzo Raval &amp; Mandy Wolman; The Crossing)<\/li>\n<li>RACHMANINOV: THE BELLS<br \/>\nMariss Jansons, conductor; Peter Dijkstra, chorus master (Oleg Dolgov, Alexey Markov &amp; Tatiana Pavlovskaya; Symphonieorchester Des Bayerischen Rundfunks; Chor Des Bayerischen Rundfunks)<\/li>\n<li>SEVEN WORDS FROM THE CROSS<br \/>\nMatthew Guard, conductor (Skylark)<\/li>\n<\/ul>\n<p><strong>78. Best Chamber Music\/Small Ensemble Performance<\/strong><br \/>\n<em>For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.<\/em><\/p>\n<ul>\n<li>ANDERSON, LAURIE: LANDFALL<br \/>\nLaurie Anderson &amp; Kronos Quartet<\/li>\n<li>BEETHOVEN, SHOSTAKOVICH &amp; BACH<br \/>\nThe Danish String Quartet<\/li>\n<li>BLUEPRINTING<br \/>\nAizuri Quartet<\/li>\n<li>STRAVINSKY: THE RITE OF SPRING CONCERTO FOR TWO PIANOS<br \/>\nLeif Ove Andsnes &amp; Marc-Andr\u00e9 Hamelin<\/li>\n<li>VISIONS AND VARIATIONS<br \/>\nA Far Cry<\/li>\n<\/ul>\n<p><strong>79. Best Classical Instrumental Solo<\/strong><br \/>\n<em>Award to the Instrumental Soloist(s) and to the Conductor when applicable.<\/em><\/p>\n<ul>\n<li>BART\u00d3K: PIANO CONCERTO NO. 2<br \/>\nYuja Wang; Simon Rattle, conductor (Berliner Philharmoniker)<\/li>\n<li>BIBER: THE MYSTERY SONATAS<br \/>\nChristina Day Martinson; Martin Pearlman, conductor (Boston Baroque)<\/li>\n<li>BRUCH: SCOTTISH FANTASY, OP. 46; VIOLIN CONCERTO NO. 1 IN G MINOR, OP. 26<br \/>\nJoshua Bell (The Academy Of St. Martin In The Fields)<\/li>\n<li>GLASS: THREE PIECES IN THE SHAPE OF A SQUARE<br \/>\nCraig Morris<\/li>\n<li>KERNIS: VIOLIN CONCERTO<br \/>\nJames Ehnes; Ludovic Morlot, conductor (Seattle Symphony)<\/li>\n<\/ul>\n<p><strong>80. Best Classical Solo Vocal Album<\/strong><br \/>\n<em>Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers\/Mixers with 51% or more playing time of new material.<\/em><\/p>\n<ul>\n<li>ARC<br \/>\nAnthony Roth Costanzo; Jonathan Cohen, conductor (Les Violons Du Roy)<\/li>\n<li>THE HANDEL ALBUM<br \/>\nPhilippe Jaroussky; Artaserse, ensemble<\/li>\n<li>MIRAGES<br \/>\nSabine Devieilhe; Fran\u00e7ois-Xavier Roth, conductor (Alexandre Tharaud; Marianne Crebassa &amp; Jodie Devos; Les Si\u00e8cles)<\/li>\n<li>SCHUBERT: WINTERREISE<br \/>\nRandall Scarlata; Gilbert Kalish, accompanist<\/li>\n<li>SONGS OF ORPHEUS &#8211; MONTEVERDI, CACCINI, D&#8217;INDIA &amp; LANDI<br \/>\nKarim Sulayman; Jeannette Sorrell, conductor; Apollo&#8217;s Fire, ensembles<\/li>\n<\/ul>\n<p><strong>81. Best Classical Compendium<\/strong><br \/>\n<em>Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 51% playing time of the album, if other than the artist.<\/em><\/p>\n<ul>\n<li>FUCHS: PIANO CONCERTO &#8216;SPIRITUALIST&#8217;; POEMS OF LIFE; GLACIER; RUSH<br \/>\nJoAnn Falletta, conductor; Tim Handley, producer<\/li>\n<li>GOLD<br \/>\nThe King&#8217;s Singers; Nigel Short, producer<\/li>\n<li>THE JOHN ADAMS EDITION<br \/>\nSimon Rattle, conductor; Christoph Franke, producer<\/li>\n<li>JOHN WILLIAMS AT THE MOVIES<br \/>\nJerry Junkin, conductor; Donald J. McKinney, producer<\/li>\n<li>VAUGHAN WILLIAMS: PIANO CONCERTO; OBOE CONCERTO; SERENADE TO MUSIC; FLOS CAMPI<br \/>\nPeter Oundjian, conductor; Blanton Alspaugh, producer<\/li>\n<\/ul>\n<p><strong>82. Best Contemporary Classical Composition<\/strong><br \/>\n<em>A Composer&#8217;s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.<\/em><\/p>\n<ul>\n<li>BATES: THE (R)EVOLUTION OF STEVE JOBS<br \/>\nMason Bates, composer; Mark Campbell, librettist (Michael Christie, Garrett Sorenson, Wei Wu, Sasha Cooke, Edward\u00a0Parks, Jessica E. Jones &amp; Santa Fe Opera Orchestra)<\/li>\n<li>DU YUN: AIR GLOW<br \/>\nDu Yun, composer (International Contemporary Ensemble)<\/li>\n<li>HEGGIE: GREAT SCOTT<br \/>\nJake Heggie, composer; Terrence McNally, librettist (Patrick Summers, Manuel Palazzo, Mark Hancock, Michael Mayes, Rodell Rosel, Kevin Burdette, Anthony Roth Costanzo, Nathan Gunn, Frederica von Stade, Ailyn P\u00e9rez, Joyce DiDonato, Dallas Opera Chorus &amp; Orchestra)<\/li>\n<li><a id=\"29\" name=\"29\"><\/a>KERNIS: VIOLIN CONCERTO<br \/>\nAaron Jay Kernis, composer (James Ehnes, Ludovic Morlot &amp; Seattle Symphony)<\/li>\n<li>MAZZOLI: VESPERS FOR VIOLIN<br \/>\nMissy Mazzoli, composer (Olivia De Prato)<\/li>\n<\/ul>\n<h1>MUSIC VIDEO\/FILM<\/h1>\n<p><strong>83. Best Music Video<\/strong><br \/>\n<em>Award to the artist, video director, and video producer.<\/em><\/p>\n<ul>\n<li>APES***<br \/>\nThe Carters<br \/>\nRicky Saiz, video director; M\u00e9lodie Buchris, Natan Schottenfels &amp; Erinn Williams, video producers<\/li>\n<li>THIS IS AMERICA<br \/>\nChildish Gambino<br \/>\nHiro Murai, video director; Ibra Ake, Jason Cole &amp; Fam Rothstein, video producers<\/li>\n<li>I&#8217;M NOT RACIST<br \/>\nJoyner Lucas<br \/>\nJoyner Lucas &amp; Ben Proulx, video directors; Joyner Lucas, video producer<\/li>\n<li>PYNK<br \/>\nJanelle Mon\u00e1e<br \/>\nEmma Westenberg, video director; Justin Benoliel &amp; Whitney Jackson, video producers<\/li>\n<li>MUMBO JUMBO<br \/>\nTierra Whack<br \/>\nMarco Prestini, video director; Sara Nassim, video producer<\/li>\n<\/ul>\n<p><strong>84. Best Music Film<\/strong><br \/>\n<em>For concert\/performance films or music documentaries. Award to the artist, video director, and video producer.<\/em><\/p>\n<ul>\n<li>LIFE IN 12 BARS<br \/>\nEric Clapton<br \/>\nLili Fini Zanuck, video director; John Battsek, Scooter Weintraub, Larry Yelen &amp; Lili Fini Zanuck, video producers<\/li>\n<li>WHITNEY<br \/>\n(Whitney Houston)<br \/>\nKevin Macdonald, video director; Jonathan Chinn, Simon Chinn &amp; Lisa Erspamer, video producers<\/li>\n<li>QUINCY<br \/>\nQuincy Jones<br \/>\nAlan Hicks &amp; Rashida Jones, video directors; Paula DuPr\u00e9 Pesmen, video producer<\/li>\n<li>ITZHAK<br \/>\nItzhak Perlman<br \/>\nAlison Chernick, video director; Alison Chernick, video producer<\/li>\n<li>THE KING<br \/>\n(Elvis Presley)<br \/>\nEugene Jarecki, video director; Christopher Frierson, Georgina Hill, David Kuhn &amp; Christopher St. John, video producers<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>The nominations for the 61st GRAMMY Awards are here revealing what has been shortlisted as the best in music and legacy music for 2019. Here are all of the nominations for each category of the famed award ceremony. GENERAL FIELD 1. Record Of The Year Award to the Artist and to the Producer(s), Recording Engineer(s) and\/or Mixer(s) and mastering engineer(s), if other than the artist. I LIKE IT Cardi B, Bad Bunny &amp; J Balvin Invincible, JWhiteDidIt, Craig Kallman &amp; Tainy, producers; Leslie Brathwaite, Kuk Harrell,\u00a0Evan LaRay &amp; Simone Torres, engineers\/mixers; Colin Leonard, mastering engineer THE JOKE Brandi Carlile Dave&#8230;<\/p>\n","protected":false},"author":12,"featured_media":15646,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[13],"tags":[10157,10569,2300,6774,2302,28,6410,1325,7873,6266],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.4.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The 61st GRAMMY Awards nominations 2019 - Complete list - RouteNote Blog<\/title>\n<meta name=\"description\" content=\"The nominations for the 61st GRAMMY Awards are here revealing what has been shortlisted as the best in music and legacy music for 2019. 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