{"id":103335,"date":"2025-02-13T14:40:01","date_gmt":"2025-02-13T14:40:01","guid":{"rendered":"https:\/\/routenote.com\/blog\/?p=103335"},"modified":"2025-02-13T14:40:01","modified_gmt":"2025-02-13T14:40:01","slug":"oscars-2025-nominees-for-best-score-song-and-sound","status":"publish","type":"post","link":"https:\/\/routenote.com\/blog\/oscars-2025-nominees-for-best-score-song-and-sound\/","title":{"rendered":"Oscars 2025: Nominees for Best Score, Song, and Sound"},"content":{"rendered":"\n<h2 style=\"user-select: auto;\"><span style=\"color: #3366ff; user-select: auto;\">2025 Academy Awards: a closer look at the best original score, original song, and sound nominees as we countdown to the big night<\/span><\/h2>\n\n\n\n<p>The 97th Academy Awards are just around the corner, set for March 2, 2025, at the Dolby Theatre in Hollywood. With Conan O\u2019Brien as host, the night promises to be a celebration of the year\u2019s best in film. However, for music lovers and audio enthusiasts, the real excitement lies in the <em>Best Original Score<\/em>, <em>Best Original Song<\/em>, and <em>Best Sound<\/em> categories.<\/p>\n\n\n\n<p>Let\u2019s take a look at the nominees:<\/p>\n\n\n\n<p><strong>Best Original Score Nominees<\/strong><\/p>\n\n\n\n<ul><li><strong>&#8220;The Brutalist&#8221; \u2013 Daniel Blumberg<\/strong><strong><br \/><\/strong><\/li><li><strong>&#8220;Conclave&#8221; \u2013 Volker Bertelmann<\/strong><strong><br \/><\/strong><\/li><li><strong>&#8220;Emilia P\u00e9rez&#8221; \u2013 Cl\u00e9ment Ducol &amp; Camille<\/strong><strong><br \/><\/strong><\/li><li><strong>&#8220;Wicked&#8221; \u2013 John Powell &amp; Stephen Schwartz<\/strong><strong><br \/><\/strong><\/li><li><strong>&#8220;The Wild Robot&#8221; \u2013 Kris Bowers<\/strong><strong><br \/><\/strong><\/li><\/ul>\n\n\n\n<h3><strong>Best Original Song Nominees<\/strong><\/h3>\n\n\n\n<ul><li><strong>&#8220;El Mal&#8221; \u2013 <\/strong><strong><em>Emilia P\u00e9rez<\/em><\/strong> (Cl\u00e9ment Ducol, Camille, Jacques Audiard)<br \/><\/li><li><strong>&#8220;The Journey&#8221; \u2013 <\/strong><strong><em>The Six Triple Eight<\/em><\/strong> (Diane Warren, performed by H.E.R.)<br \/><\/li><li><strong>&#8220;Like A Bird&#8221; \u2013 <\/strong><strong><em>Sing Sing<\/em><\/strong> (Abraham Alexander, Adrian Quesada)<br \/><\/li><li><strong>&#8220;Mi Camino&#8221; \u2013 <\/strong><strong><em>Emilia P\u00e9rez<\/em><\/strong> (Camille, Cl\u00e9ment Ducol)<br \/><\/li><li><strong>&#8220;Never Too Late&#8221; \u2013 <\/strong><strong><em>Elton John: Never Too Late<\/em><\/strong> (Elton John, Brandi Carlile, Andrew Watt, Bernie Taupin)<br \/><\/li><\/ul>\n\n\n\n<h3><strong>Best Sound Nominees<\/strong><\/h3>\n\n\n\n<p>This category celebrates the incredible work of sound designers, mixers, and editors who bring movies to life with immersive audio.<\/p>\n\n\n\n<ul><li><strong>&#8220;The Creator&#8221;<\/strong><strong><br \/><\/strong><\/li><li><strong>&#8220;Maestro&#8221;<\/strong><strong><br \/><\/strong><\/li><li><strong>&#8220;Mission: Impossible \u2013 Dead Reckoning Part One&#8221;<\/strong><strong><br \/><\/strong><\/li><li><strong>&#8220;Oppenheimer&#8221;<\/strong><strong><br \/><\/strong><\/li><\/ul>\n\n\n\n<p><strong>&#8220;The Zone of Interest&#8221;<\/strong><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-text-align-center\"><strong><a href=\"http:\/\/www.routenote.com\">Distribute your music across streaming services for free with RouteNote!<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2025 Academy Awards: a closer look at the best original score, original song, and sound nominees as we countdown to the big night The 97th Academy Awards are just around the corner, set for March 2, 2025, at the Dolby Theatre in Hollywood. With Conan O\u2019Brien as host, the night promises to be a celebration of the year\u2019s best in film. However, for music lovers and audio enthusiasts, the real excitement lies in the Best Original Score, Best Original Song, and Best Sound categories. Let\u2019s take a look at the nominees: Best Original Score Nominees &#8220;The Brutalist&#8221; \u2013 Daniel Blumberg&#8230;<\/p>\n","protected":false},"author":46,"featured_media":103336,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[11109],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.4.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Oscars 2025: Nominees for Best Score, Song, and Sound - RouteNote Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/routenote.com\/blog\/oscars-2025-nominees-for-best-score-song-and-sound\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Oscars 2025: Nominees for Best Score, Song, and Sound - RouteNote Blog\" \/>\n<meta property=\"og:description\" content=\"2025 Academy Awards: a closer look at the best original score, original song, and sound nominees as we countdown to the big night The 97th Academy Awards are just around the corner, set for March 2, 2025, at the Dolby Theatre in Hollywood. With Conan O\u2019Brien as host, the night promises to be a celebration of the year\u2019s best in film. However, for music lovers and audio enthusiasts, the real excitement lies in the Best Original Score, Best Original Song, and Best Sound categories. Let\u2019s take a look at the nominees: Best Original Score Nominees &#8220;The Brutalist&#8221; \u2013 Daniel Blumberg...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/routenote.com\/blog\/oscars-2025-nominees-for-best-score-song-and-sound\/\" \/>\n<meta property=\"og:site_name\" content=\"RouteNote Blog\" \/>\n<meta property=\"article:published_time\" content=\"2025-02-13T14:40:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/routenote.com\/blog\/wp-content\/uploads\/2024\/10\/cover.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1920\" \/>\n\t<meta property=\"og:image:height\" content=\"1080\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Emily Howarth\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/routenote.com\/blog\/#organization\",\"name\":\"RouteNote\",\"url\":\"https:\/\/routenote.com\/blog\/\",\"sameAs\":[],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/routenote.com\/blog\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/routenote.com\/blog\/wp-content\/uploads\/2020\/11\/routenote-logo.jpg\",\"contentUrl\":\"https:\/\/routenote.com\/blog\/wp-content\/uploads\/2020\/11\/routenote-logo.jpg\",\"width\":1000,\"height\":1000,\"caption\":\"RouteNote\"},\"image\":{\"@id\":\"https:\/\/routenote.com\/blog\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/routenote.com\/blog\/#website\",\"url\":\"https:\/\/routenote.com\/blog\/\",\"name\":\"RouteNote Blog\",\"description\":\"The World of Digital Music - 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