Live sounding, grungy garage rock: vocal overtones that sound a bit like Kurt Cobain in his more vulnerable moments, with a wobbly Elliot Smith guitar doing the bulk of the work. Picture yourself in a rock nightclub in Seattle in the Pearl Jam/Nirvana era, and you’ll have a pretty good picture of what to expect. Put on your check shirt and ripped jeans, drink some beer and feel bad about everything before going to YouTube and watching some Beavis and Butthead. Yeah… Huhuh… Cool…

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