Most often named as potential bidders for all or part of either music group include: BMG, Zomba founder Clive Calder, Russian investor Leonard Blavatnik, Universal Music, Sony Music, equity firms KKR, Apollo and Providence and Netherlands-based music publisher Imagem.

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Recently, EMI Records chose to abandon the template we’ve built with the help of other major copyright holders and opted for their traditional intimidation tactic of filing a lawsuit as a negotiating tool. We find the use of this negotiating strategy counterproductive, as Grooveshark has been willing to conclude an agreement with EMI Records that is economically sustainable for both EMI Records and a start-up company the size of Grooveshark.

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“EMI Music and EMI Music Publishing have collaborated with us to create a mutually sustainable deal which represents the future of digital music,” says Grooveshark CEO Sam Tarantino. “We will continue to deliver the best music service on the Internet to our users, and we will expand our capacity to strengthen fan-to-artist connections through our technology.”

“We think services like Grooveshark offer great music discovery options for fans,” said Mark Piibe, EMI Music’s Global Head of Digital Business Development. ”In turn, Grooveshark offers a new revenue stream for our artists and will help us learn more about how we can better connect different types of fans with artists.”

The mixed feelings about Grooveshark’s operation seem to extend outside the EMI boardroom – Universal are now suing Grooveshark for copyright infringement on some big artists from their pre 1972 recordings, including Marvin Gaye, The Jackson 5, The Who and Chuck Berry. Why they’ve chosen these particular artists to make a case on is unclear, but the case is seemingly strong: if Universal are withholding the copyright to the tracks that Grooveshark is playing then they have no choice but to either prevent access to the tracks that are in question, and make reparations for past breach that are acceptable to the label, or fight the court case. The long term effects of this case will be interesting to see. Grooveshark have been allowed to operate relatively unmolested by the big labels while other services, like Seeqpod, have been forced out, so why have Universal decided to apply pressure at this point? Are they thinking like Grooveshark suspect, that they can bully their way into a deal with the streaming service without having to give away a rock bottom streaming royalty rate?

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The site is intended to feature music videos, artist-related content and interviews. The aim of course is to bring in more high profile brands who arent necessarily interested in advertising on YouTube because of its user-generated content.

It has been mentioned by CNET that the three other major labels have all been approached to join the Vevo service. Im sure this would all work in the same way as Myspace Music in which the major labels all have an equity stake. Myspace Music has amazed me that so many independent labels have come on board with the solution, because they should realise that part of their profits are still going to the major labels. However, with Myspace Music most independent labels need to have their music on the site, so why not make some revenues in the process.

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• Vevo iPhone App: Lets Users Watch Their Favourite Music Videos for Free on their iPhone – August 18, 2010
• 2010 Quarter 1 Marketshare for Major Music Labels – March 26, 2010

In the last year or so it has been tough times for the major record labels. The majors have not really been moving into the digital as fast as they should, whilst at the same time not understanding the digital business models.

Whilst this still remains the case Universal have released their lastest quarters results, and they seem very surprising to me.

• $3.97 billion revenue for first 3Q’s of ’08
• + 3.5% without currency fluctuations
• + 33% for digital sales which “”more than offset” lower CD sales
• Earnings 21.8% to $516M before deduction of interest, tax and amortization
• Net is lower due to restructuring costs
• Full press release

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