Music Ally has reported that over 445,000 people illegally downloaded the new U2 album. All these downloaded were alleged to happen between the 18th of February till the 3rd of March from BitTorrent sites.
The chart supplied by the company shows the spike in downloads following the album’s leak in February, apparently due to it being accidentally made available for sale on an Australian digital music store ahead of its official release on 2nd March.
The debate is always would these people have purchased the album if it wasn’t leaked on BitTorrent clients? No one can really answer that question, but I’m sure that certain sales would have happened because of this.
Overall this does make me think that the claims of the Pirate Bay in the last couple weeks that “80 percent of all their torrents are legal”, cant be true.
Despite an economic meltdown that has added to venture capitalists’ already wary view of the music industry, fan-to-artist funding enabler Slicethepie has attracted another $1.4 million. The money will be used to broaden marketing efforts, as well as, support some of the 20 artists already funded by the site.
A long, personal album from this folk-tinged singer song writer. Layered guitars and Bon Iver like vocal harmonies blend amongst each other in tracks like ‘Flesh and Bone’, lamenting fifths in ‘Matuit’ bring the Kinks and the Beatles to mind, in a feeling that is somewhat continued in simple, humour filled, more upbeat numbers like My Head Is A Balloon’. Gentle, interesting, and intimate.
Glass Shark. Very soon they will need no introduction. Dirty basslines and disco beats conspire with a punky guitar and anthemic choruses to make Glass Shark’s music groin-thrustingly danceable. If you can look up from your headbanging and arm flinging for a moment and listen to the lyrics, you’ll also notice frontman (and drummer) Tam Johnstone’s wicked sense of humour and thoroughly filthy mind. I can’t recommend them highly enough. Buy their album, get out and see them live, join the sweating, grinning ranks of their fans and get a good spot in the queue to worship at the throbbing pink vinyl altar of the mighty Shark. Vote for them on the Orange Unsigned show on T4!
This album is like a chocolate cake. Heavy, dark, rich and possibly too sweet for it’s own good: undertones from viola and double bass provide a landscape over which finger-picked guitar rambles and eddies. These are all secondary considerations, because Hollie’s voice, when it breaks into the drifting feel of tracks like ‘The Swallow’ is clear, pure toned, powerful, and the major feature of this album. Her songwriting shows a remarkable depth of emotion and expressiveness for a 19 year old’s debut, and the sophomoric rack of lust, angst and betrayal is treated with punishingly frank introspection. Despite the subjectivity of the songs and the familiarity of the themes, there is a lyricism and a power of allusion that distinguishes these songs from the run of the mill. Recommended to fans of Laura Marling or Damien Rice.