The world’s favourite DAW has launched it’s new version, after months of testing Ableton Live 10 is now available for everyone.
The world’s most widely used digital audio workstation (DAW) Ableton have finally launched their new Live 10 software. Some lucky people have had it for a few months in beta testing now but it has finally launched worldwide for everyone.
The new version brings a bunch of enhancements, improvements and a few new additions like devices and improved Push compatibility. Max for Live has also been built seamlessly into Ableton now so you can use your creations easily. Overall the software is very much the same program so many have fallen in love with, but overall bigger and better.
Live 10 adds 3 new devices:
Immediately playable, infinitely capable, Wavetable is a new synthesizer built by Ableton. Shape, stretch and morph sounds using wavetables derived from analog synths, and a range of other instruments and sounds. Start sculpting sounds right away—even without a deep knowledge of synthesis—or explore its rich palette and potential through an intuitive interface.
Echo brings together the sound of classic analog and digital hardware delays in a single device—your new go-to delay. Drive and shape sounds with its analog-modeled filters, turn up the noise and wobble for vintage imperfections, or add modulation and reverb to create diffuse soundscapes, wailing feedback and more.
Drum Buss is a one-stop workstation for drums, capable of adding subtle character or bending and breaking drums to your will. Add warmth and distortion with drive and crunch, take control of dynamics with compression and transient shaping, dial in and tune boom and control bass decay with the dedicated low end section.
With separate circuit-level models of overdrive, distortion and fuzz guitar pedals, Pedal brings the character of analog stomp boxes to Live. The effect goes all the way from subtle to reckless—it excels at warming up vocals and other instruments, driving synth sounds or completely smashing drums. And of course, it sounds great with guitars.
Improvements to your work flow:
Turn your most spontaneous ideas into music, without thinking about recording. Starting a song? Just arm a MIDI track and play. When an idea emerges, press Capture after you played it. Live will match your tempo and timing, and start your melody or groove in a perfect loop. You can also use Capture to progress your songs: add new parts or overdub MIDI into existing clips without breaking your flow—just press Capture after you’ve played it right.
Edit multiple MIDI clips
Create drums and bass, or chords and melody in tandem. Work with multiple MIDI clips across multiple tracks within a single view—in both Session and Arrangement. Now you can edit smarter and take better control of the musical relationships in your song.
Create and arrange more fluidly
The Arrangement View has been optimized for quick creative editing and more efficient song creation. Easily stretch a clip, slide its content or create audio fades with new clip interactions that work directly in the Arrangement. Automate with greater control using grid snapping and other improved breakpoint interactions.
Focus instantly on what you need to with quick keyboard shortcuts: toggle automation visibility for all tracks, zoom in and out of selections of your song, nudge clips, and even make audio edits like reversing samples.
A multitude of workflow refinements
When it comes to creative flow, sometimes the little things make the biggest difference. Live 10 comes with a long list of them—here are just a few.
Keep your go-to devices, plug-ins and samples close at hand: create color-coded collections and access them instantly in the browser.
Notes now trigger even if playback starts in the middle, so you don’t need to start the clip from the beginning to hear a long pad, for example.
Instantly select the right routing by labeling Live’s inputs and outputs to match the instruments and hardware in your studio.
With its improved gain range you can more effectively use Utility for volume automation, keeping the mixer free. The Bass Mono feature in Utility and EQ Eight’s extended 10Hz low frequency range give you more precise bass control. Split Stereo in the mixer now allows for flexible placement of individual channels in the stereo space.
Create groups within groups
Mix with greater flexibility—process individual group elements, a subgroup or an entire bus. And manage Sets more easily; even with lots of tracks and a detailed arrangement, you can use multiple levels of groups to quickly fold tracks together for a simple overview.
Refined look and feel
Live’s interface has been updated to be cleaner and clearer with sharper graphics and refined colors. And a range of optimized themes improves visibility in all environments.
Do even more with push:
New melodic step sequencing layout
Simultaneously sequence notes and play them in from the same pad layout – the bottom half of the layout allows you to play notes in real time while the top half lets you sequence them.
Advanced Device visualization
See Wavetable or Echo in rich detail on Push as you play. When mixing, you’ll see spectrum analysis on EQ Eight, as well as advanced Mid/Side and Left/Right EQ modes. Get real-time audio visualizations from Live’s Compressor: see threshold settings and compressor activity, plus set up sidechain routing.